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Schubert: Sonata in E-flat major Op post 122/D568 (G Henle Verlag HN 1557)

Review

Sunday, October 2, 2022

| International Piano

Henle’s layout is beautiful and clear, with discreet but helpful fingerings from Martin Helmchen

Festival Focus: Verbier Festival

Features

Sunday, October 2, 2022

| International Piano

The Verbier Festival has stood the test of time, attracting a nucleus of loyal stars to an event that is something of a pilgrimage. Michael Church reports

The Americanist (Elizabeth Newkirk)

Review

Sunday, October 2, 2022

| International Piano

A compelling album, well worth seeking out

Wilms: The Piano Concertos, Vol 1 (Ronald Brautigam)

Review

Sunday, October 2, 2022

| International Piano

Ronald Brautigam niftily gets his fingers around Wilms’ complex passagework

Andrew McCormack: Terra Firma

Review

Sunday, October 2, 2022

| International Piano

Skilful and often compelling compositions help make this a first-rate release

Tickling the Ivories: A Piano Journey (Keith Jacobsen)

Review

Sunday, October 2, 2022

| International Piano

Throughout one senses Jacobsen’s strength of character and admirable perseverance in harnessing his lifelong love for music and piano playing

Romantic Piano Masters (Mariam Batsashvili)

Review

Sunday, October 2, 2022

| International Piano

Batsashvili is musicianly to the core

Visions – Messiaen, Enescu, Knussen & Birtwistle (Tamara Stefanovich, Pierre-Laurent Aimard)

Review

Sunday, October 2, 2022

| International Piano

A gripping 20th-century traversal

Kjetil Mulelid: Who Do You Love The Most?

Review

Sunday, October 2, 2022

| International Piano

Like Jarrett, Brad Mehldau and Bill Evans, he has a wholly melodic approach in which every note is made to count

Haydn: Piano Sonatas, Vol 11 (Jean-Efflam Bavouzet)

Review

Sunday, October 2, 2022

| International Piano

Flawlessly recorded, Bavouzet reminds us that Haydn was the least po-faced of all composers

Walter Gieseking: Debussy – The first Columbia recordings

Review

Sunday, October 2, 2022

| International Piano

Schumann: Fantasie etc (Émile Naoumoff)

Review

Sunday, October 2, 2022

| International Piano

With Naoumoff, one is never aware of the bristling difficulties of Schumann’s score

Debussy: early and late piano pieces (Steven Osborne)

Review

Sunday, October 2, 2022

| International Piano

Osborne’s performances are of a superfine mastery

Rachmaninov: Piano Concertos Nos 2 & 4 (Anna Fedorova)

Review

Sunday, October 2, 2022

| International Piano

Fedorova is undoubtedly a fine performer but her playing has a certain reticence about it

Papaïoannou, Constantinides & Levidis (Cyprien Katsaris)

Review

Sunday, October 2, 2022

| International Piano

Katsaris revels in the virtuosity as much as the lyricism

Search Results

Schubert: Sonata in E-flat major Op post 122/D568 (G Henle Verlag HN 1557)

Festival Focus: Verbier Festival

The Americanist (Elizabeth Newkirk)

Wilms: The Piano Concertos, Vol 1 (Ronald Brautigam)

Andrew McCormack: Terra Firma

Tickling the Ivories: A Piano Journey (Keith Jacobsen)

Romantic Piano Masters (Mariam Batsashvili)

Visions – Messiaen, Enescu, Knussen & Birtwistle (Tamara Stefanovich, Pierre-Laurent Aimard)

Kjetil Mulelid: Who Do You Love The Most?

Haydn: Piano Sonatas, Vol 11 (Jean-Efflam Bavouzet)

Walter Gieseking: Debussy – The first Columbia recordings

Schumann: Fantasie etc (Émile Naoumoff)

Debussy: early and late piano pieces (Steven Osborne)

Rachmaninov: Piano Concertos Nos 2 & 4 (Anna Fedorova)

Papaïoannou, Constantinides & Levidis (Cyprien Katsaris)

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