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Preserving Beethoven's Legacy

    Features
  • Thursday, February 6, 2020
    • | Gramophone
Since the arrival of the gramophone, the range and interpretative possibilities of Beethoven’s music have been revealed as never before, writes Richard Osborne

The Listening Room: Episode 90 (4.2.20)

    Blogs
  • Tuesday, February 4, 2020
    • | Gramophone
Mezzo Kate Lindsey sings Haydn, Alexandre Kantorow plays José Serebrier's piano concerto, John Wilson conducts Chabrier, songs from Mary Bevan and Nicholas Phan, and an impressive first encounter with the the striking voice of tenor Petr Nekoranec

What is an Oratorio?

    Features
  • Tuesday, February 4, 2020
    • | Gramophone
Richard Wigmore traces the history of this sacred genre from the 17th century onwards

Secret symphonies: reimagining the classical concert experience

    Features
  • Monday, February 3, 2020
    • | Gramophone
Earlier this season, Music Director Robert Trevino and his Basque National Orchestra presented a unique series of concerts with the programme kept entirely secret. It was a sensational success. But no-one knew, says Robert Trevino, just how great a risk it was

Icons: Hans Swarowsky

    Features
  • Friday, January 31, 2020
    • | Gramophone
Peter Quantrill champions the Austrian conductor and pedagogue who once wavered between the callings of music and psychoanalysis, and about whom many still wax lyrical