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Max Bruch: Touching the Divine

    Features
  • Thursday, August 20, 2020
  • | Gramophone
He may have been less adventurous than Brahms but Bruch had a remarkable ear for melody, and in his late works he captured a profound level of expression, writes Andrew Mellor as we approach the centenary of the composer’s death

Why I refuse to accept the current state of (non) play

    Blogs
  • Wednesday, August 19, 2020
  • | Gramophone
Jamie Walton, cellist and Founder and Curator of the North York Moors Chamber Music Festival on how live concerts must not be allowed to fade away: 'We seem to be living in some kind of paralysed state, whilst the rest of Europe creatively wakes up'

The Listening Room: Episode 100 (10.8.20)

    Blogs
  • Thursday, August 6, 2020
  • | Gramophone
Magical Franck from Verbier, Jean-Efflam Bavouzet plays Beethoven's Fourth Piano Concerto, John Wilson's ravishing Respighi and Elgar from Elīna Garanča and Daniel Barenboim, plus a clutch of pre-release tracks from Lang Lang, Sabine Devieilhe & Alexandre Tharaud, and Thibaut García