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Lliam Paterson: Sherlock Holmes - The Sign of Four at Leeds Opera Festival | Live Review

Friday, August 30, 2024

| Opera Now

Lliam Paterson's new opera for the Northern Opera Group brought a thoroughly entertaining reading of Conan Doyle's classic

'I’ve been unintentionally carving a niche for myself in creating script for opera' | Director and writer Laura Attridge on Pergolesi at Vache Baroque Festival

Features

Friday, August 30, 2024

| Opera Now

Director Laura Attridge shares her unique process of directing and creating a script for Pergolesi's L'Olimpiade at Vache Baroque Festival

George Li: an invitation to dance

Features

Friday, August 30, 2024

| International Piano

George Li introduces his new album of dance‑related works by Ravel, Schumann and Stravinsky and explores what binds these pieces into a cohesive programme

Ilona Eibenschütz: piano-playing from another era

Features

Friday, August 30, 2024

| International Piano

Mark Ainley revisits the playing of the Hungarian pianist Ilona Eibenschütz, who knew Brahms and Clara Schumann, and whose pianism sheds fascinating light on the kind of playing they might have expected to hear

Review - ‘Concertos without Orchestra’ (Salih Can Gevrek)

Review

Friday, August 30, 2024

| International Piano

He prompts your awareness in Schumann’s tortuous F minor Sonata of Clara Schumann’s fears for her husband’s genius, for a mind and imagination that soared gloriously but dangerously close to the edge

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Lliam Paterson: Sherlock Holmes - The Sign of Four at Leeds Opera Festival | Live Review

'I’ve been unintentionally carving a niche for myself in creating script for opera' | Director and writer Laura Attridge on Pergolesi at Vache Baroque Festival

George Li: an invitation to dance

Ilona Eibenschütz: piano-playing from another era

Review - ‘Concertos without Orchestra’ (Salih Can Gevrek)

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