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Strauss: Elektra at the Royal Opera House | Live Review

Thursday, January 25, 2024

| Opera Now

Antonio Pappano leads a visceral presentation of Strauss' Elektra

Critics Choice: Jan/Feb | The best new piano recordings

Thursday, February 8, 2024

| International Piano

Featuring outstanding new releases from Behzod Abduraimov, Mark Viner, Peter Donohoe and Katya Apekisheva & Charles Owen

Antonio Caldara: Gloria; Respighi: Lauda per la Nativita del Signore (Mirko Guadagnini)

Friday, February 23, 2024

| Choir and Organ

A lively instrumental introduction to this performance leads to disappointment when the choir enters

Stephen McNeff: A Star Next to the Moon at the Guildhall School of Music and Drama | Live Review

Thursday, February 29, 2024

| Opera Now

'Its conflicts and contrasts never quite allow the audience to get too comfortable, and the delivery on stage suitably portrayed an unnerving portrait'

N Boulanger: Fantaisie variée. Fauré: Après un rêve, etc. Hahn Piano Concerto (William Youn)

Friday, March 8, 2024

| International Piano

I doubt if Youn’s more neutral performance will win new friends for music dismissed as difficult and obscure

Bob Chilcott: Christmas Oratorio (Benjamin Nicholas)

Friday, February 23, 2024

| Choir and Organ

Sarah Connolly conveys Mary’s wonderment and even fear with grace and not a flutter of girlishness

Wagner: Famous Opera Scenes (Nikolai Lugansky)

Friday, March 8, 2024

| International Piano

Lugansky takes us on an eternal journey, metamorphosing his Steinway into a larger-than-life orchestra intricate in texture, colour and associative imagery

Bizet: Carmen at the Royal Opera House | Live Review

Monday, April 8, 2024

| Opera Now

'Michieletto and his team have created a perfect twenty-first century Carmen'

Ponchielli: La Gioconda at Salzburg Easter Festival | Live Review

Monday, March 25, 2024

| Opera Now

Oliver Mears turns La Gioconda into a tale of abuse at the Salzburg Easter Festival

Review - Copland Conducts Copland: The Complete Columbia Album Collection

Thursday, May 23, 2024

| Gramophone

Andrew Farach-Colton revisits the Aaron Copland's recordings, in a new collection from Sony Classical

Giordano: Andrea Chénier at the Royal Opera House | Live Review

Friday, May 31, 2024

| Opera Now

Pappano's final production as the Royal Opera’s music director is a success

Review - Liszt ‘Complete Piano Music, Vol 61, Transcriptions from Operas’ (Martin Cousin)

Friday, May 24, 2024

| International Piano

‘Cousin makes a fair case for the 1836 first version of the Réminiscences des Huguenots’

Howard Skempton: 50 Preludes and Fugues for Organ

Friday, May 10, 2024

| Choir and Organ

Book review - My Life in Music, by Sir Antonio Pappano

Friday, June 14, 2024

| Gramophone

There are professional music writers who could do worse than learn from Pappano's example

Longborough Festival Opera: Die tote Stadt and Carmen | Live Reviews

Friday, September 2, 2022

| Opera Now

I have never heard such a crisp rendition of Bizet's score, nor such sensuous and precise singing. Photography by Matthew Williams-Ellis

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