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Salieri: Kublai Khan at Musik Theater an der Wien | Live Review

Thursday, April 11, 2024

| Opera Now

Christophe Rousset conducts Salieri's opera at its temporary home in Vienna's Museumsquartier

Verdi: Simon Boccanegra at Bridgewater Hall | Live Review

Monday, April 22, 2024

| Opera Now

Verdi's original 1857 version of Simon Boccanegra performed at Manchester's Bridgewater Hall

Bellini: Norma at Teatro di San Carlo | Live Review

Wednesday, May 1, 2024

| Opera Now

Freddie de Tomasso makes his debut as Pollione in this Naples-based production

Review - Lutyens: ‘Piano Works, Vol 3’ (Martin Jones)

Friday, May 24, 2024

| International Piano

‘I am in thrall to Jones’s peerless playing of them, and Resonus’s superb sound’

Purcell's Dido and Aeneas at Somerset Opera | Live Review

Monday, July 15, 2024

| Opera Now

Impressive performances hint at a promising future for Somerset Opera

Haydn: Piano Sonatas, Vol 11 (Jean-Efflam Bavouzet)

Sunday, October 2, 2022

| International Piano

Flawlessly recorded, Bavouzet reminds us that Haydn was the least po-faced of all composers

Walter Gieseking: Debussy – The first Columbia recordings

Sunday, October 2, 2022

| International Piano

Schumann: Fantasie etc (Émile Naoumoff)

Sunday, October 2, 2022

| International Piano

With Naoumoff, one is never aware of the bristling difficulties of Schumann’s score

Raff: Frühlingsboten (‘Heralds of Spring’)

Wednesday, November 2, 2022

| International Piano

The opening movement unfolds polyphonically in four parts, while the second is in quasi-orchestral martial mode

Strauss: Die Frau ohne Schatten at San Francisco Opera | Live Review

Thursday, June 29, 2023

| Opera Now

Depth and dimension run in tandem with the magic of David Hockney's iconic scenery

Verdi: Nabucco at La Fenice, Venice | Live Review

Thursday, July 13, 2023

| Opera Now

Masterful control and colour from the voices in Verdi's Nabucco at Teatro La Fencie

Mozart: The Magic Flute (Welsh National Opera)

Monday, June 5, 2023

| Opera Now

A reimagining of Mozart's opera from Daisy Evans sees a mix of hits and misses

Stanford: Requiem, op.63

Monday, August 14, 2023

| Choir and Organ

A glorious recording

Handel: Semele at Glyndebourne Festival Opera | Live Review

Tuesday, August 22, 2023

| Opera Now

Adele Thomas's staging of Handel's oratorio committed to narrowing-down the celebratory work

Liszt: ‘Consolations’ (Saskia Giorgini)

Tuesday, September 26, 2023

| International Piano

Liszt-playing of this order of poetic richness and immediacy is rare indeed and Giorgini’s recording should be in the possession of those who call Liszt’s stature into doubt

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