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Fauré: Piano Music (Hannes Minnaar)

Sunday, October 2, 2022

| International Piano

No pianist since the more Romantically inclined Germaine Thyssens-Valentin has shown a greater empathy for Fauré’s range

Daniel Barenboim: The Pierre Boulez Saal Sessions (Beethoven Complete Piano Sonatas)

Review

Wednesday, November 2, 2022

| International Piano

The Americanist (Elizabeth Newkirk)

Review

Sunday, October 2, 2022

| International Piano

A compelling album, well worth seeking out

Wilms: The Piano Concertos, Vol 1 (Ronald Brautigam)

Review

Sunday, October 2, 2022

| International Piano

Ronald Brautigam niftily gets his fingers around Wilms’ complex passagework

Andrew McCormack: Terra Firma

Review

Sunday, October 2, 2022

| International Piano

Skilful and often compelling compositions help make this a first-rate release

Schubert: Complete Piano Sonatas (Elisabeth Leonskaja)

Review

Wednesday, November 2, 2022

| International Piano

Leonskaja delivers the goods with sublime assurance, simply letting the piano sing

Beethoven: The 5 Piano Concertos (Artur Pizarro)

Review

Wednesday, November 2, 2022

| International Piano

Pizarro's booklet note suggests this was a happy project for him, which can be heard reflected in the performances

Dave Brubeck Trio: Live From Vienna 1967

Review

Wednesday, November 2, 2022

| International Piano

An essential document of one of jazz's groundbreaking ensembles

Beethoven: Piano Concertos Nos 1-5 (Haochen Zhang)

Review

Wednesday, November 2, 2022

| International Piano

he more symphonic later concertos fare better, with Zhang and Stutzmann surer in pulse and securing more convincing, impactful interpretations

Romantic Piano Masters (Mariam Batsashvili)

Review

Sunday, October 2, 2022

| International Piano

Batsashvili is musicianly to the core

Visions – Messiaen, Enescu, Knussen & Birtwistle (Tamara Stefanovich, Pierre-Laurent Aimard)

Review

Sunday, October 2, 2022

| International Piano

A gripping 20th-century traversal

Kjetil Mulelid: Who Do You Love The Most?

Review

Sunday, October 2, 2022

| International Piano

Like Jarrett, Brad Mehldau and Bill Evans, he has a wholly melodic approach in which every note is made to count

Haydn: Piano Sonatas, Vol 11 (Jean-Efflam Bavouzet)

Review

Sunday, October 2, 2022

| International Piano

Flawlessly recorded, Bavouzet reminds us that Haydn was the least po-faced of all composers

Walter Gieseking: Debussy – The first Columbia recordings

Review

Sunday, October 2, 2022

| International Piano

Schumann: Fantasie etc (Émile Naoumoff)

Review

Sunday, October 2, 2022

| International Piano

With Naoumoff, one is never aware of the bristling difficulties of Schumann’s score

Search Results

Fauré: Piano Music (Hannes Minnaar)

Daniel Barenboim: The Pierre Boulez Saal Sessions (Beethoven Complete Piano Sonatas)

The Americanist (Elizabeth Newkirk)

Wilms: The Piano Concertos, Vol 1 (Ronald Brautigam)

Andrew McCormack: Terra Firma

Schubert: Complete Piano Sonatas (Elisabeth Leonskaja)

Beethoven: The 5 Piano Concertos (Artur Pizarro)

Dave Brubeck Trio: Live From Vienna 1967

Beethoven: Piano Concertos Nos 1-5 (Haochen Zhang)

Romantic Piano Masters (Mariam Batsashvili)

Visions – Messiaen, Enescu, Knussen & Birtwistle (Tamara Stefanovich, Pierre-Laurent Aimard)

Kjetil Mulelid: Who Do You Love The Most?

Haydn: Piano Sonatas, Vol 11 (Jean-Efflam Bavouzet)

Walter Gieseking: Debussy – The first Columbia recordings

Schumann: Fantasie etc (Émile Naoumoff)

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