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Zlata Chochieva: the music of my life

Friday, March 8, 2024

| International Piano

Zlata Chochieva reflects on the importance of personality in making music speak, from Michelangeli’s Mozart to Horowitz live and unedited

Riccardo Muti’s Italian Opera Academy: safeguarding the future of Italian opera

Features

Thursday, April 4, 2024

| Opera Now

Italian conductor Riccardo Muti’s Italian Opera Academy was launched in 2015 in Ravenna’s Teatro Alighieri. We explore the impact of the maestro on the next generation of opera artists

'It’s the human stories that bring music into the modern age' - Creating Classics Explained

Features

Wednesday, April 3, 2024

| Opera Now

Music enthusiast Ben Levy shares the journey to creating animated videos of iconic classical music stories, and now hitting over three million views on YouTube

Inside Beethoven’s ‘Hammerklavier’ Sonata with Beatrice Rana

Features

Tuesday, April 9, 2024

| Gramophone

Beatrice Rana joins Harriet Smith to talk about finding a path through Beethoven’s ‘Hammerklavier’ Sonata

Sir Andrew Davis: 10 Essential Recordings

Features

Monday, April 22, 2024

| Gramophone

A selection of just a few of Sir Andrew Davis's finest moments on record, featuring music by Elgar, Vaughan Williams, Delius, Walton and Tippett

The Merry Widow at Glyndebourne: ‘I put all my best jokes upfront and try to find even better ones for later. I want to send the audience home euphoric’

Features

Thursday, April 4, 2024

| Opera Now

Director of Glyndebourne’s new production of The Merry Widow, Cal McCrystal talks about the sometimes not-so-subtle art of making opera funny

Contemporary composer: Benet Casablancas

Features

Tuesday, May 21, 2024

| Gramophone

This Catalan’s many and varied interests are evident throughout both his small- and his large-scale output, says Gavin Dixon

Rostropovich: what made the cellist a 20th-century musical icon?

Features

Thursday, April 25, 2024

| Gramophone

Julian Lloyd Webber celebrates the artistry of a legendary fellow cellist, Mstislav Rostropovich, a Russian musician who was an outspoken advocate of human rights and an inspiration for many composers

Ben Maton – The Salisbury Organist: ‘Never lose sight of the organist!’

Features

Friday, May 10, 2024

| Choir and Organ

The Salisbury Organist explores and films at two more country churches, while celebrating the work of George Herbert and questioning a tendency to forget the organist. Photos by Ben Maton

Contemporary Composer: Arlene Sierra

Features

Tuesday, June 11, 2024

| Gramophone

The substantial and individual work of this UK-based, US-born composer is championed by Richard Whitehouse

Wanda Landowska: an introduction to the life and career of the great harpsichordist

Features

Friday, June 14, 2024

| Gramophone

Stephen Cera celebrates the remarkable Polish keyboard player who single-handedly revived interest in the harpsichord during the early part of the 20th century

Q&A with Graeme Steele Johnson, clarinetist and discoverer of Loeffler's lost Octet

Features

Friday, June 7, 2024

| Gramophone

‘This recording prompts a revisiting the question of why we know what we know today.’

Video of the Day: Mars Smith performs 'Fossá'

Features

Tuesday, June 4, 2024

| Gramophone

Taken from the duo's upcoming album ‘Faroe Islands: Echoes on the Wind’, out on 26 July with VOCES8 Records

Schütz’s Musicalische Exequien: the best recordings

Features

Friday, June 14, 2024

| Gramophone

Heinrich Schütz’s German Requiem has become one of the most-recorded works of 17th-century German sacred music. Fabrice Fitch investigates its rich discography

In harmony: meeting The Gesualdo Six

Features

Friday, June 14, 2024

| Gramophone

As The Gesualdo Six marks 10 years with a characteristically imaginative album, Mark Seow encounters an ensemble as close-knit socially as it is musically

Opera Now meets Guildhall Opera Makers: Ursa Minor

Features

Monday, June 17, 2024

| Opera Now

Zygmund De Somogyi & Alexia Peniguel share the background to their new opera, Ursa Minor, and the key to collaboration

Meeting Joana Mallwitz: ‘It’s funny: people don’t know what they’re missing if they’ve not heard Kurt Weill’s symphonies’

Features

Friday, July 12, 2024

| Gramophone

As her recording of Kurt Weill symphonies, her first album for DG, is about to be released, conductor Joana Mallwitz speaks with Richard Bratby

Top 10 symphonies

Features

Wednesday, October 19, 2022

| Gramophone

Tracing the evolution of the symphony from Haydn to Prokofiev through some of the most outstanding classical recordings in history

Composer Missy Mazzoli: ‘Opera is a place where classical music can talk to contemporary society’

Features

Thursday, July 11, 2024

| Opera Now

The US premiere of Missy Mazzoli’s opera The Listeners arrives in Philadelphia in September. She speaks about the opera and modern cult intrigue

Dame Mary Beard | My Music: ‘Ancient music is elusive to historians’

Features

Friday, July 12, 2024

| Gramophone

The nation’s best-known classicist rediscovered classical music in her thirties, when exploring re‑workings of ancient myth

Video of the Day: Ex Cathedra performs Monteverdi's 'Vespers'

Features

Thursday, July 25, 2024

| Gramophone

Perfoming 'Domine ad adjuvandum', this is an extract from a full concert by Ex Cathedra which is part of this year's LIVE From London Summer festival

Apple’s classical ambitions: how BIS and Platoon are looking to the future of classical music

Features

Friday, August 9, 2024

| Gramophone

In this month’s column, James Jolly finds out about Apple’s obvious commitment to classical music and, especially, about one of its two labels, the London-based Platoon

Contemporary composer: Oliver Leith

Features

Friday, August 9, 2024

| Gramophone

Hattie Butterworth explores this young British composer’s unique influences and how collaborations are crucial to his work

Thea King: a guide to the doyenne of English clarinettists

Features

Friday, July 12, 2024

| Gramophone

Starting out as a pianist, Thea King eventually became a renowned clarinettist – a devoted champion of the instrument –who left a rich legacy on record, writes Mark Pullinger

Streaming music just got simpler – or did it?

Features

Friday, August 9, 2024

| Gramophone

Choosing the right streaming service is still a minefield, but does Tidal’s latest move make things any clearer?

Search Results

Zlata Chochieva: the music of my life

Riccardo Muti’s Italian Opera Academy: safeguarding the future of Italian opera

'It’s the human stories that bring music into the modern age' - Creating Classics Explained

Inside Beethoven’s ‘Hammerklavier’ Sonata with Beatrice Rana

Sir Andrew Davis: 10 Essential Recordings

The Merry Widow at Glyndebourne: ‘I put all my best jokes upfront and try to find even better ones for later. I want to send the audience home euphoric’

Contemporary composer: Benet Casablancas

Rostropovich: what made the cellist a 20th-century musical icon?

Ben Maton – The Salisbury Organist: ‘Never lose sight of the organist!’

Contemporary Composer: Arlene Sierra

Wanda Landowska: an introduction to the life and career of the great harpsichordist

Q&A with Graeme Steele Johnson, clarinetist and discoverer of Loeffler's lost Octet

Video of the Day: Mars Smith performs 'Fossá'

Schütz’s Musicalische Exequien: the best recordings

In harmony: meeting The Gesualdo Six

Opera Now meets Guildhall Opera Makers: Ursa Minor

Meeting Joana Mallwitz: ‘It’s funny: people don’t know what they’re missing if they’ve not heard Kurt Weill’s symphonies’

Top 10 symphonies

Composer Missy Mazzoli: ‘Opera is a place where classical music can talk to contemporary society’

Dame Mary Beard | My Music: ‘Ancient music is elusive to historians’

Video of the Day: Ex Cathedra performs Monteverdi's 'Vespers'

Apple’s classical ambitions: how BIS and Platoon are looking to the future of classical music

Contemporary composer: Oliver Leith

Thea King: a guide to the doyenne of English clarinettists

Streaming music just got simpler – or did it?

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