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Sir Neville Marriner, who would have celebrated his 100th birthday this April, was a central pillar of post-war British music-making, maintaining consistency and distinction despite the shifting sands of a rapidly changing musical landscape

Dalia Stasevska interview: ‘Our tradition is exceptional. But there are new paths to explore’

Features

Friday, April 19, 2024

| Gramophone

From bridging genres to challenging cultural expectations, Dalia Stasevska is a conductor for our modern times

Joseph Haydn: Top 20 Recordings

Features

Tuesday, April 16, 2024

| Gramophone

Twenty outstanding Haydn recordings, featuring René Jacobs, Claudio Abbado, Nikolaus Harnoncourt, Alison Balsom, Alfred Brendel and many more

Ralph Vaughan Williams: Top 20 Recordings

Features

Thursday, April 11, 2024

| Gramophone

From The Lark Ascending to Sinfonia antartica, here are Ralph Vaughan Williams's greatest works in outstanding recordings from André Previn, Bernard Haitink, Adrian Boult and more

'I want to allow women to see themselves on an opera stage in an honest and dignified way' - composer Emily Pedersen on writing Screenshot

Features

Thursday, April 11, 2024

| Opera Now

Emerging composer Emily Pendersen speaks about the journey to writing her first opera, Screenshot, exploring the rise of image-based sexual violence

Maurice Ravel: Top 20 Recordings

Features

Wednesday, April 10, 2024

| Gramophone

From Boléro to Daphnis et Chloé, here are Maurice Ravel's greatest works in outstanding recordings from John Wilson, Martha Argerich, François-Xavier Roth, Quatuor Ebène and more

Inside Beethoven’s ‘Hammerklavier’ Sonata with Beatrice Rana

Features

Tuesday, April 9, 2024

| Gramophone

Beatrice Rana joins Harriet Smith to talk about finding a path through Beethoven’s ‘Hammerklavier’ Sonata

Cleveland International Piano Competition: Finding The Piano World’s Future Leaders

Features

Tuesday, April 9, 2024

| Gramophone

As it marks 50 years, one of America’s great piano competitions is making changes to adapt to a new musical landscape

'I'm a firm believer in hard work' | Jasdeep Singh Degun Interview

Features

Monday, April 8, 2024

| Gramophone

Gramophone meets RPS Award-winner Jasdeep Singh Degun

Jonas Kaufmann interview: ‘I could sing Parsifal many times every year, but I don’t ... It’s too precious to just use it as a vehicle to make money’

Features

Friday, April 5, 2024

| Gramophone

Jonas Kaufmann returns to one of Wagner’s great roles, in a production now issued by Sony Classical. He tells Mark Pullinger about being part of an all-star performance in an empty opera house – and reveals a wish list of future plans

Bringing a new opera of Hardy’s Under the Greenwood Tree to life in Dorset

Features

Thursday, April 4, 2024

| Opera Now

A new opera of Hardy’s Under the Greenwood Tree premieres at Dorset Opera this summer. We meet Paul Carr, the production’s composer and director, to discover the journey of the work’s creation

Riccardo Muti’s Italian Opera Academy: safeguarding the future of Italian opera

Features

Thursday, April 4, 2024

| Opera Now

Italian conductor Riccardo Muti’s Italian Opera Academy was launched in 2015 in Ravenna’s Teatro Alighieri. We explore the impact of the maestro on the next generation of opera artists

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Remembering Sir Andrew Davis: champion of Tippett's musical legacy

Sir Andrew Davis: 10 Essential Recordings

Contemporary composer: Lotta Wennäkoski

Sir Neville Marriner at 100: A Beacon of Excellence

Dalia Stasevska interview: ‘Our tradition is exceptional. But there are new paths to explore’

Joseph Haydn: Top 20 Recordings

Ralph Vaughan Williams: Top 20 Recordings

'I want to allow women to see themselves on an opera stage in an honest and dignified way' - composer Emily Pedersen on writing Screenshot

Maurice Ravel: Top 20 Recordings

Inside Beethoven’s ‘Hammerklavier’ Sonata with Beatrice Rana

Cleveland International Piano Competition: Finding The Piano World’s Future Leaders

'I'm a firm believer in hard work' | Jasdeep Singh Degun Interview

Jonas Kaufmann interview: ‘I could sing Parsifal many times every year, but I don’t ... It’s too precious to just use it as a vehicle to make money’

Bringing a new opera of Hardy’s Under the Greenwood Tree to life in Dorset

Riccardo Muti’s Italian Opera Academy: safeguarding the future of Italian opera

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