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Rostropovich: my precious memories of the great cellist and conductor
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Blogs
- Thursday, March 2, 2017 | Gramophone
The Gramophone Awards - four decades of celebration … and change
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Blogs
- Monday, September 25, 2017 | Gramophone
Why is the greatest choral music frequently the most difficult to sing?
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Blogs
- Tuesday, June 5, 2018 | Gramophone
Labels play a hugely important role in our listening lives
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Blogs
- Tuesday, July 17, 2018 | Gramophone
Disability and the right to make music: why we can’t afford to get complacent
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Blogs
- Tuesday, September 4, 2018 | Gramophone
The importance of open-minded artists
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Blogs
- Thursday, January 30, 2020 | Gramophone
Today's most fascinating musicians are those forging their own paths
Music without boundaries
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Blogs
- Tuesday, March 17, 2020 | Gramophone
Penelope Thwaites says that the sharing of musical ideas is not necessarily ‘appropriation’
The Listening Room: Episode 94 (30.3.20)
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Blogs
- Monday, March 30, 2020 | Gramophone
Andrew Haveron plays the Korngold Violin Concerto and Jack Liebeck plays Schoenberg's; the Gringolts Quartet are joined by Meta4 for Enescu's Octet, and Amir Katz play Liszt. Barbara Hannigan sings Luigi Nono and Víkingur Ólafsson plays Rameau
The discovery of a long-forgotten British composer-pianist
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Blogs
- Wednesday, April 29, 2015 | Gramophone
Casals, Bach, and the art of arranging the Cello Suites for solo guitar
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Blogs
- Thursday, June 25, 2015 | Gramophone
A 21st century Requiem: Why did I write a work I didn't want to write?
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Blogs
- Wednesday, July 15, 2020 | Gramophone
Ian Venables reflects upon his largest scale work to date and discusses how an unlikely commission took him in a creative direction that he never thought possible