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Why I refuse to accept the current state of (non) play

Wednesday, August 19, 2020

| Gramophone

Jamie Walton, cellist and Founder and Curator of the North York Moors Chamber Music Festival on how live concerts must not be allowed to fade away: 'We seem to be living in some kind of paralysed state, whilst the rest of Europe creatively wakes up'

The Listening Room: Episode 100 (10.8.20)

Blogs

Thursday, August 6, 2020

| Gramophone

Magical Franck from Verbier, Jean-Efflam Bavouzet plays Beethoven's Fourth Piano Concerto, John Wilson's ravishing Respighi and Elgar from Elīna Garanča and Daniel Barenboim, plus a clutch of pre-release tracks from Lang Lang, Sabine Devieilhe & Alexandre Tharaud, and Thibaut García

7 Notes in 7 Days at 7pm

Blogs

Friday, July 24, 2020

| Gramophone

Maria Marchant introduces her novel live-streamed concert series, featuring new works written for the piano, premiered every Monday

The arts needs to address its environmental impact: here's how

Blogs

Tuesday, July 21, 2020

| Gramophone

Ensemble Correspondances has looked at how to make its performing and touring more sustainable - and wants to encourage others to do the same

Recognising the value of music – for everyone

Blogs

Friday, July 17, 2020

| Gramophone

Concerts and operas watchable at the click of a button serves us audiences well - but we must make sure it serves artists too

A 21st century Requiem: Why did I write a work I didn't want to write?

Blogs

Wednesday, July 15, 2020

| Gramophone

Ian Venables reflects upon his largest scale work to date and discusses how an unlikely commission took him in a creative direction that he never thought possible

Daniel Tong blog

Blogs

Wednesday, July 15, 2020

| Gramophone

Daniel Tong reflects on Mendelssohn's masterpiece, which remains as popular today as the day it was written

Resurrecting Howells's extraordinary piano works

Blogs

Friday, July 10, 2020

| Gramophone

Pianist Matthew Schellhorn's new recording of unknown piano works by Herbert Howells – released today – has been a voyage of discovery not unlike that of premiering brand new music

Gramophone's The Listening Room: Episode 99

Blogs

Friday, July 10, 2020

| Gramophone

Augustin Hadelich plays Dvořák, the Akademie für Alte Musik Berlin plays CPE Bach, James Gilchrist sings Jonathan Dove, and we've pre-release tracks by Bertrand Chamayou, Khatia Buniatishvili, Ermonela Jaho, and Joshua Bell and friends at the Verbier Festival

The return of the Operatic Fantasy

Blogs

Wednesday, July 1, 2020

| Gramophone

Adrian Bradbury charts the history of the art of the operatic fantasy and champions the revival of a 'lost' tradition

Gramophone's The Listening Room: Episode 98

Blogs

Tuesday, June 23, 2020

| Gramophone

Opera arias from Aleksandra Kurzak, Bach from Benjamin Appl and Reinhard Goebel, Thomas Adès from Pekka Kuusisto and Aurora Orchestra and Jonas Kaufmann's Otello, plus some pre-release tracks ...

If we value music, how should we express that?

Blogs

Friday, June 12, 2020

| Gramophone

With so much music available for free, it's important to remember it costs money to make

What role can music play in eradicating prejudice?

Blogs

Thursday, June 11, 2020

| Gramophone

Let us listen - and shine a light on the shared nature of humanity

Audience and musicians reunited as Copenhagen’s Opera House reopens

Blogs

Monday, June 8, 2020

| Gramophone

The Royal Danish Opera becomes the first in Europe to welcome orchestra, chorus, soloists and audiences back into its theatre

The Listening Room Episode 97 (5.6.20)

Blogs

Friday, June 5, 2020

| Gramophone

James Jolly's regular playlist includes Robert Trevino conducting Beethoven, Masato Suzuki playing Bach, Martin Fröst reinventing Vivaldi for the clarinet and Yuja Wang playing Rachmaninov. Plus pre-release tracks from Aurora Orchestra, Tenebrae, Fatma Said, Augustin Hadelich and Sir Mark Elder and the Hallé

Search Results

Why I refuse to accept the current state of (non) play

The Listening Room: Episode 100 (10.8.20)

7 Notes in 7 Days at 7pm

The arts needs to address its environmental impact: here's how

Recognising the value of music – for everyone

A 21st century Requiem: Why did I write a work I didn't want to write?

Daniel Tong blog

Resurrecting Howells's extraordinary piano works

Gramophone's The Listening Room: Episode 99

The return of the Operatic Fantasy

Gramophone's The Listening Room: Episode 98

If we value music, how should we express that?

What role can music play in eradicating prejudice?

Audience and musicians reunited as Copenhagen’s Opera House reopens

The Listening Room Episode 97 (5.6.20)

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