Review - Paavo Järvi : The Complete Erato Recordings
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
Here choice might be dictated partly by one's individual priorities. If they are with full modern digital sound, then the...
Reviewed by Ivan March in issue: 8/1991
The rare conjunction of Haydn and the Vienna Philharmonic immediately whets the appetite while Andre Previn has often proved a...
Reviewed by Richard Wigmore in issue: 12/1994
It's my guess that posterity will judge Witold Lutoslawski as among the supreme twentieth-century musical colourists. All four works included...
Reviewed in issue 2/1995
Staying with the Milhauds in California in the late 1950s, Stockhausen leafed through Milhaud’s latest score and said, ‘It’s funny...
Reviewed in issue 6/2001
Whereas no less than 17 different versions of both Schumann's First and Second sonatas are listed in the current Classical...
Reviewed by Joan Chissell in issue: 11/1992
‘The Radiant Voice.’ And‚ it might be added‚ the exquisite art. Come to that‚ the delectable disc might equally well...
Reviewed in issue 9/2001
Joan Cererols is hardly a household name. Born in 1618, he entered the choirschool at Monserrat as a child, and...
Reviewed by Iain Fenlon in issue: 7/1989
The duo-piano medium regularly promises more than it delivers—twice the number of fingers does not make for double the excitement....
Reviewed in issue 3/1987
Even with 15 other versions of Rimsky's masterpiece of orchestral virtuosity to choose from—some in the top flight—this was recognized...
Reviewed by Lionel Salter in issue: 3/1983
''That would be quite a disc!'' said Orpheus Chamber Orchestra member Julian Fifer when announcing the ensemble's plan for a...
Reviewed by Arnold Whittall in issue: 7/1990
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
Lindsay Kemp welcomes a box of Baroque delights from the American conductor
'This is a treasure trove of information, thoroughly recommended'
The tabletop ‘music centre’ may be just a distant memory, but where do you start when you want to...
Tim Parry explores the legacy of Jorge Bolet’s Decca recordings
Rob Cowan on collections devoted to two pianists, a cellist and a composer
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