Review - Paavo Järvi : The Complete Erato Recordings
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
It is good when record companies couple a Haydn symphony with a nick-name, i.e. a well-known one, with one that...
Reviewed in issue 9/1985
One might be forgiven for getting these two recordings mixed up: both of them are from Italian mixed a cappella...
Reviewed by Fabrice Fitch in issue: 5/2007
With exceptionally vivid sound, bright and immediate, giving a realistic sense of presence, the Orpheus Chamber Orchestra's collection makes for...
Reviewed by Edward Greenfield in issue: 8/1989
In her autobiography Alma Mahler-Werfel said that she had written ''hundreds of songs'' and a piano sonata (conceivably other things...
Reviewed by Michael Oliver in issue: 3/1989
Many of the most powerful readings of the Brahms‚ that most demanding of violin concertos‚ have been made by women...
Reviewed in issue 1/2002
The string quartets recorded here are not startling new discoveries but incomplete works dating from the very beginning of Rachmaninov's...
Reviewed by John Warrack in issue: 8/1994
This unusual recording grew out of a project that resulted from a visit by Florilegium to the ‘Chiquitos Missions’ music...
Reviewed by Tess Knighton in issue: 7/2005
The prominent horn writing in Haydn's D major Symphony (No. 72) betrays its earlier chronology (between 1763 and 1765). The...
Reviewed in issue 12/1995
If not the 'essential' Philip Glass (admirers and detractors alike could make a meal of the concept of 'inessential' Glass)...
Reviewed by Michael Oliver in issue: 1/1994
Reference to ‘the new recording of The Wandering Scholar’ reminds us that there is an old one, and not so...
Reviewed in issue 9/1999
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
Lindsay Kemp welcomes a box of Baroque delights from the American conductor
'This is a treasure trove of information, thoroughly recommended'
The tabletop ‘music centre’ may be just a distant memory, but where do you start when you want to...
Tim Parry explores the legacy of Jorge Bolet’s Decca recordings
Rob Cowan on collections devoted to two pianists, a cellist and a composer
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