Review - Paavo Järvi : The Complete Erato Recordings
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
I don't mind a degree of decorum in Ives's America (i.e. ''God save the Queen'') Variations: with the jokes overdone,...
Reviewed by John Steane in issue: 12/1992
The Sinfonia Concertante is given a sensitive performance which I much enjoyed. Luigi Bianchi is a name new to me....
Reviewed in issue 8/1986
One of the advantages of reading The Times is to be able to note, week by week, the generous provision...
Reviewed in issue 6/1984
This disc contains recordings made in 1969 and 1971. Carole Bogard was a stylish baroque singer in those days, making...
Reviewed by Nicholas Anderson in issue: 4/1999
Lully’s Cadmus et Hermione (1673) inaugurated the era of tragédie lyrique that held sway until the Revolution. The DVD...
Reviewed by Julie Anne Sadie in issue: 2/2009
Haydn and his librettist Baron van Swieten conceived The Creation as the first bilingual oratorio and would surely have been...
Reviewed by Richard Wigmore in issue: 3/2008
Here is something of a rarity, and an engaging one, too. Georg, or Jiri Antonin as he was christened, was...
Reviewed by Nicholas Anderson in issue: 1/1994
Both these discs show Brahms in an unusual light. Schoenberg’s orchestration of the G minor Quartet is comparatively familiar; to...
Reviewed in issue 10/2001
The second recording from the Orchestra of the Renaissance, this time on Virgin Veritas, presents a reconstruction of Vespers for...
Reviewed by Tess Knighton in issue: 10/1997
Salvatore Sciarrino’s music has much to do with silence. His works often seem already to have begun when the first...
Reviewed by Ivan Moody in issue: 11/2005
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
Lindsay Kemp welcomes a box of Baroque delights from the American conductor
'This is a treasure trove of information, thoroughly recommended'
The tabletop ‘music centre’ may be just a distant memory, but where do you start when you want to...
Tim Parry explores the legacy of Jorge Bolet’s Decca recordings
Rob Cowan on collections devoted to two pianists, a cellist and a composer
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