Review - Paavo Järvi : The Complete Erato Recordings
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
If this is, as predicted, truly the swansong of major studio recording of opera, the genre goes out on an...
Reviewed by John Allison in issue: 9/2005
Whereas not so long ago Peter Katin gave us all 19 of Chopin's surviving waltzes in his two-disc mid-price waltz-cum-polonaise...
Reviewed by Joan Chissell in issue: 4/1995
The title comes from a painting by Francis Bacon (whose distinctive facial features are bizarrely recalled in the composer’s own),...
Reviewed by David Gutman in issue: 7/2006
Reviewed by Harriet Smith in issue: 3/2008
It would be hard to find an opera in any area of the repertory that presents so many textual problems...
Reviewed by Edward Greenfield in issue: 11/1992
I don't think it's going too far to say the excerpt disc of Floridante sets new standards in the presentation...
Reviewed by Stanley Sadie in issue: 1/1993
This set completes Trevor Pinnock's recording of the Mozart symphonies, and completes it in style. There are some performances here...
Reviewed by Stanley Sadie in issue: 12/1995
Cecile Chaminade, once very popular for her salon pieces, particularly in England, has long been dismissed in serious musical circles....
Reviewed by Edward Greenfield in issue: 8/1996
The presumptuous manner in which Philips proclaims this disc of Vivaldi ‘Concertos for Anna Maria’ as being a world premiere...
Reviewed by Nicholas Anderson in issue: 6/1999
I am indebted to Michael Freyhan's erudite note for information about these pretty well unknown works. Spohr's short variations are...
Reviewed in issue 4/1990
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
Lindsay Kemp welcomes a box of Baroque delights from the American conductor
'This is a treasure trove of information, thoroughly recommended'
The tabletop ‘music centre’ may be just a distant memory, but where do you start when you want to...
Tim Parry explores the legacy of Jorge Bolet’s Decca recordings
Rob Cowan on collections devoted to two pianists, a cellist and a composer
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