Review - Paavo Järvi : The Complete Erato Recordings
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
This is really a very curious record. I probably ought to extend a welcome and leave it at thatafter all,...
Reviewed in issue 1/1990
Here Concerto Cologne, better known on CD as interpreters of Mozart, step back to the third and fourth decades of...
Reviewed in issue 2/1995
Lilya Zilberstein has already taken on some of the virtuoso pillars of the repertoire for DG—Brahms's Paganini Variations (3/91), the...
Reviewed by Bryce Morrison in issue: 2/1995
How far a sixteenth-century zabaione resembled the dessert we know and enjoy today, I’m not sure. But it’s an appetizing...
Reviewed by Fabrice Fitch in issue: 4/1998
The playing of the orchestral items here is nothing short of sensational. The LSO has always responded to its former...
Reviewed by Alan Blyth in issue: 7/1989
The fourth volume of Sonia Rubinsky’s valuable cycle presents a cross-section from the random genius of Villa-Lobos’s piano music. Multi-coloured...
Reviewed by Bryce Morrison in issue: 1/2005
The year 1849 alone – dubbed by Schumann “the most fruitful of my life” – should give the lie to...
Reviewed by Richard Wigmore in issue: 11/2010
The recording quality here is probably one of the most realistic ever heard in a piano concerto. As I shall...
Reviewed in issue 11/1986
Many conductors create their own suites from Prokofiev’s Romeo and Juliet; Paavo Järvi, however, seems content with the three official...
Reviewed by Andrew Farach-Colton in issue: 2/2004
How good to be comparing performances of these supposedly problematical symphonies that take them both perfectly seriously, asking for no...
Reviewed by Michael Oliver in issue: 6/1985
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
Lindsay Kemp welcomes a box of Baroque delights from the American conductor
'This is a treasure trove of information, thoroughly recommended'
The tabletop ‘music centre’ may be just a distant memory, but where do you start when you want to...
Tim Parry explores the legacy of Jorge Bolet’s Decca recordings
Rob Cowan on collections devoted to two pianists, a cellist and a composer
If you are a library, university or other organisation that would be interested in an institutional subscription to Gramophone please click here for further information.