Review - Paavo Järvi : The Complete Erato Recordings
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
Having recorded the much better known All-Night Vigil (‘Vespers’) in 1999, King’s here turn to Rachmaninov’s earlier setting of the...
Reviewed by Ivan Moody in issue: 6/2004
John Cage’s In a Landscape is a masterpiece of oriental calm, and it’s nicely played here but the bass note...
Reviewed by Peter Dickinson in issue: 11/2004
Only one of the works recorded here is as the composer envisaged it, and that is Schubert’s set of variations...
Reviewed by John Warrack in issue: 3/1998
This is an uncoventional recital, unconventionally performed. Hildegard Behrens in her own note tells us that this is virtually the...
Reviewed by Alan Blyth in issue: 3/1987
Cilea was a late starter, and the start wasn't auspicious; indeed he gave up composing in his twenties after the...
Reviewed by Michael Oliver in issue: 12/1992
Max Reger's last two violin sonatas are recorded here by the Swiss duo, Hansheinz Schneeberger (born in 1926, a pupil...
Reviewed by rgolding in issue: 5/1993
Parisians suffering the German Occupation at least had the chance to go to the Opera and see Helene Bouvier as...
Reviewed by rnichols in issue: 12/2000
The Double Concerto especially ebullient, these are brightly coloured, highly attractive works, part virtuoso display, part pan-European travelogue, from clarinettist-turned-composer...
Reviewed by mquinn in issue: 10/1999
The seven cantatas here, nominally representing the works for the two Sundays after Easter, cover an unusual range from BWV150...
Reviewed by Jonathan Freeman-Attwood in issue: 8/2007
Hugh Bean (1929-2003) was just nine when he became a pupil of Albert Sammons, and you can hear something of...
Reviewed by Andrew Achenbach in issue: 11/2004
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
Lindsay Kemp welcomes a box of Baroque delights from the American conductor
'This is a treasure trove of information, thoroughly recommended'
The tabletop ‘music centre’ may be just a distant memory, but where do you start when you want to...
Tim Parry explores the legacy of Jorge Bolet’s Decca recordings
Rob Cowan on collections devoted to two pianists, a cellist and a composer
If you are a library, university or other organisation that would be interested in an institutional subscription to Gramophone please click here for further information.