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Even Such is Time

The nine voices of Voces Sacrae display consummate musicianship, sensitivity and technical control. Judy Martin avoids any temptation to turn...

Reviewed by Marc Rochester in issue: 11/2002

Margaret Price sings Romantic Songs

If a singer of the young Margaret Price's radiant gifts were to walk into a recording studio today, the microphones...

Reviewed in issue 11/1995

Menotti/Barber Orchestral Works

Barber and Menotti—long-term friends kindred spirits, master melodists: these charming, hummable, danceable and rarely heard scores make a happy union....

Reviewed by Edward Seckerson in issue: 9/1990

R. Strauss Die Frau ohne Schatten

Here, at long last, is the uncut Die Frau ohne Schatten, every note of it, for the first time on...

Reviewed in issue 9/1988

Lutoslawski Orchestral works

This disc is not described as ‘Volume 1’, but it would be good to have a new Lutoslawski series to...

Reviewed by Arnold Whittall in issue: 9/2004

Shostakovich Violin Concertos; Ysaye Amitié for 2 Violins

Even for those of us who never experienced Oistrakh’s full, beautifully moulded tone in the concert hall, there is about...

Reviewed in issue 5/2001

Bartók 44 Duos for Two Violins

Listening to Gyorgy Pauk’s masterful account of the Solo Sonata reminded me of thematic parallels both between the opening motif...

Reviewed in issue 5/1996

Arnold Symphonies Nos 3 and 4

When I welcomed the composer's own recording of his Fourth Symphony, I quoted Andrew Porter's immediate response to its broadcast...

Reviewed by Ivan March in issue: 9/1994

McDowall Seraphim; Dancing Fish

Cecilia McDowall (London-born in 1951) is another of the new generation of highly communicative musicians who, though often inspired by...

Reviewed by Ivan March in issue: 5/2006

Dvorák: String Quartets

Like Schubert, Dvorak turned to the string quartet early in his career, but in neither case is that a cue...

Reviewed by Stephen Johnson in issue: 8/1990

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