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Review of Schubert Symphony No. 9

Schubert Symphony No. 9

On this showing, the Saito Kinen Orchestra can rank with the world’s finest. Quite aside from their purely technical attributes...

Reviewed in issue 6/1998

Review of Durey Songs

Durey Songs

When asked if he had known the members of Les Six, Ned Rorem replied, ‘Yes, I knew all five of...

Reviewed by po'connor in issue: 1/2003

Review of Mozart Wind Serenades and Divertimento

Mozart Wind Serenades and Divertimento

Ensemble Zefiro, a period instrument group, give careful, attentive readings of Mozart’s two big octet serenades. In each case the...

Reviewed by Stanley Sadie in issue: 3/1997

Review of Haydn Die Jahreszeiten

Haydn Die Jahreszeiten

Karajan's Seasons transfers to CD with digital remastering which makes its ebullience and robust rusticity all the more compelling. As...

Reviewed by hfinch in issue: 7/1988

Review of Tudor Anthems

Tudor Anthems

Alongside the high-octane professional choirs who have recorded so much sixteenth-century church music over the last decade, the Christ Church...

Reviewed by David Fallows in issue: 2/1990

Review of Beethoven Symphony No. 9

Beethoven Symphony No. 9

Roger Norrington's period instruments Ninth on EMI blazed a trail, exploring possibilities and setting precedents, that Christopher Hogwood drawing on...

Reviewed by Richard Osborne in issue: 11/1989

Review of Sarah Chang - Sweet Sorrow

Sarah Chang - Sweet Sorrow

This sort of compilation, I have to say, doesn’t appeal to me. To collect together music by similarity of mood...

Reviewed by DuncanDruce in issue: 11/1999

Review of Charpentier Music for One & Two Voices

Charpentier Music for One & Two Voices

Harmonia Mundi continue their pioneering Charpentier project with a recital by Concerto Vocale of predominantly small-scalre Latin motets. All of...

Reviewed by Nicholas Anderson in issue: 6/1985

Review of Dvorák Symphony No 8; Sibelius Symphony No 2

Dvorák Symphony No 8; Sibelius Symphony No 2

Surprisingly, given his formidable Sibelian credentials, Beecham’s studio recording of the Second Symphony (from 1946-47, listed above) falls some way...

Reviewed by Andrew Achenbach in issue: 13/2004

Review of Schumann Carnaval; Fantasiestücke; Papillons

Schumann Carnaval; Fantasiestücke; Papillons

This is Hamelin’s second Schumann recital for Hyperion. Once again, for the most part, there is a reassuring sense of...

Reviewed by Bryce Morrison in issue: 1/2006


 

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