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Satie Piano Works

Satie seems to be the 'flavour of the month', and although the record catalogue is certainly not short of surveys...

Reviewed by Christopher Headington in issue: 8/1994

Mahler Symphony No 9

“We don’t want to enter a ‘friendly competition’; that would be truly stupid,” says Pierre Boulez in the bonus documentary...

Reviewed by K Smith in issue: 9/2011

Duke Complete Piano Solo 1939-40

Vladimir Dukelsky left Russia shortly after the 1917 revolution and his career as a serious composer was based in New...

Reviewed by Peter Dickinson in issue: 3/2005

The Art of the Lute-Harpsichord

Literary sources reassure us that the luteharpsichord existed, though none has survived to tell us exactly what it looked or...

Reviewed by John Duarte in issue: 2/1991

Handel Esther

Though mentioned in all the textbooks as the first English oratorio, Esther is nowadays rarely to be heard. In fact,...

Reviewed by Lionel Salter in issue: 12/1985

Frank Martin Piano & Chamber Works

A thrusting, purposeful and vibrantly communicative triptych from this fine husband-and-wife duo. Walton's underrated Violin Sonata (written for Menuhin in...

Reviewed by Andrew Achenbach in issue: 2/2000

Bruckner Symphony No 3

It is good to have a newcomer to this symphony on record, Giuseppe Sinopoli, opting for the preferable but too...

Reviewed by Richard Osborne in issue: 10/1991

Shostakovich Symphonies Nos 3 & 12

These are probably Shostakovich's least impressive symphonic utterances, but it makes sense to link them, as two scores which cannot...

Reviewed in issue 11/1994

Modern vocal works

The previous recording of A-Ronne was of an expanded version for the eight voices of Swingle II (Decca HEAD15, 1/77—nla),...

Reviewed in issue 9/1986

Weber Overtures

Weber brought new eloquence to the art of setting the operatic scene with descriptive overtures, especially through his ear for...

Reviewed by John Warrack in issue: 2/2009

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