Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
These two concertos will come as a shock to anyone who believes that guitar music is about Spanishry and tunes...
Reviewed in issue 5/2001
Surely few creative musicians have ever opened their hearts more widely to the outside world—its natural beauty, its art and...
Reviewed by Joan Chissell in issue: 4/1992
With more than 120 sacred cantatas to his name, Buxtehude looks like a composer ripe for exploration, and sure enough...
Reviewed by Lindsay Kemp in issue: 11/2004
Lovers of 18th-century opera might be familiar with the tale of the crusader Rinaldo distracted from his duty by his...
Reviewed by David Vickers in issue: 13/2010
“You’ve done it, m’bhoy,” exclaimed Stanford upon viewing the manuscript of the 1895 Clarinet Quintet by his 19-year-old pupil Samuel...
Reviewed by Andrew Achenbach in issue: 1/2007
Here are two attractive new performances of Mozart's Quintet to join a list from which three of the most distinguished...
Reviewed by John Warrack in issue: 7/1987
This is the fifth disc of Clementi piano sonatas to come from Naxos, and the second volume of “early sonatas”,...
Reviewed by Lindsay Kemp in issue: 1/2008
Though Pecková has star-billing, this is one of those once-familiar ‘Nights at the Opera’ programmes where three or four singers...
Reviewed by John Steane in issue: 11/2002
I cannot remember hearing the Brahms symphonies played with such refinement and finesse as here. Ozawa's achievement in building a...
Reviewed in issue 10/1993
Having the most popular of Dvorák’s symphonies coupled with one of the most approachable by a 20th-century Czech composer is...
Reviewed by Edward Greenfield in issue: 10/2005
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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