Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Over this recital, successor to Chandos’s record of arias in the Russian tenor heritage (5/98), shines the steady light of...
Reviewed by John Warrack in issue: 9/1998
New series of CDs drawn from BBC Radio broadcasts are coming thick and fast. Following the BBC Legends series and...
Reviewed by Edward Greenfield in issue: 12/1999
Ravi Shankar always teases European audiences about our short attention span, condescending to limit improvisations to under an hour rather...
Reviewed by bwitherden in issue: 3/2005
Francesco Geminiani’s Op. 3 Concerti grossi have been recorded on period instruments before, on one of the better of the...
Reviewed by Lindsay Kemp in issue: 1/1998
Although I am not a wholehearted admirer of all of Bolet's performances, I have to admit that this anthology represents...
Reviewed by James Methuen-Campbell in issue: 7/1986
So many composers fade from view after their deaths whatever standing they enjoyed during their lifetimes. Such has been the...
Reviewed in issue 8/2002
Here is a large-scale but rather distantly captured recording of this work; it is almost as if one had stumbled...
Reviewed in issue 3/1986
There is quite a good representation of Rimsky-Korsakov’s operas on record these days. A 1990 Moscow version of Christmas Eve...
Reviewed by John Warrack in issue: 7/1998
Two or three of Roussel's songs turn up occasionally in recitals, but as a whole his output in this sphere...
Reviewed by Alan Blyth in issue: 1/1990
In these seven unaccompanied choral works Mendelssohn expresses his Christian faith unequivocally. Full of musical beauty and spiritual intensity they...
Reviewed by Marc Rochester in issue: 10/1999
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
If you are a library, university or other organisation that would be interested in an institutional subscription to Gramophone please click here for further information.