Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
It was only a few months ago that I was reviewing a recording of Dona Francisquita, which with three versions...
Reviewed by Lionel Salter in issue: 4/1995
A generous coupling, achieved, however, at the expense of omitting the longer repeats in both works. The Trout Quintet’s outer...
Reviewed by DuncanDruce in issue: 13/2004
This is the part of a projected complete recording of Bach's organ works. The common denominator of the series is...
Reviewed by prussell in issue: 9/1994
No one who enjoyed Pletnev's two-disc set of Scarlatti (Virgin Classics, 3/96) will be surprised that he has now turned...
Reviewed by David Fanning in issue: 2/2002
In a market overrun with ‘classical piano’s greatest hits’ compilations, I envision cynical reviewers tossing their unopened copies of ‘Impromptu’...
Reviewed by Jed Distler in issue: 13/2005
Recordings of live Salzburg Festival performances by Edwin Fischer are something of a rarity, which is why time and care...
Reviewed by Richard Osborne in issue: 1/1997
William Boyce was a prolific composer of odes. He wrote more than 50, most of them for the court, when...
Reviewed by Stanley Sadie in issue: 5/2000
Circumscribed Mozart this is not. The Kungsbacka Piano Trio avoid the dispassionate literalism of so-called authenticity. They are musicians of...
Reviewed by Nalen Anthoni in issue: 5/2009
In The Mozart Companion (Faber: 1956), Hans Keller dismisses the early string quartets as ''on the whole abominable''. ''Why play...
Reviewed by Richard Wigmore in issue: 6/1991
Call it cynicism or simply a composer's desire to reach a wider public at a time before film scores brought...
Reviewed in issue 11/1994
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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