Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
At a time when Europe was recovering from the traumas of war, the visionary power of Beethoven's music must have...
Reviewed by Richard Osborne in issue: 9/1988
Tchaikovsky was not entirely happy with the narrative line of his Nutcracker ballet, feeling that its fairy-tale world lacked the...
Reviewed by Ivan March in issue: 12/1986
When St Petersburg could, in John Field's day, become nicknamed 'Pianopolis', it seems surprising that a richer tradition of Russian...
Reviewed by John Warrack in issue: 11/1987
It is high time we had a memorable new recording of Tchaikovsky’s Fifth (my favourite symphony), for Valery Gergiev’s VPO...
Reviewed by Ivan March in issue: 4/2004
Wolsey would have rejoiced to hear these two great Easter Masses sung, as he may well have done, in his...
Reviewed by mberry in issue: 4/1999
Mozart was so impressed with the seven-year-old Hummel’s talent for the piano that he invited the boy to study with...
Reviewed by David Vickers in issue: 4/2006
It sometimes seems as if the world and his wife have recorded Bach's organ music. I find it a source...
Reviewed by Marc Rochester in issue: 3/1994
The name of Tiana Lemnitz draws attention to this record, but the more valuable part of it probably proves to...
Reviewed in issue 7/1989
This disc of late pieces provides a dour and destabilising experience. Here, Liszt’s ‘exuberance of heart’ gives way to ‘bitterness...
Reviewed by Bryce Morrison in issue: 11/2005
“traces of the toad cult found alongside veprynas lake” might not be the snappiest title, especially for a piece lasting...
Reviewed by Arnold Whittall in issue: 6/2007
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
If you are a library, university or other organisation that would be interested in an institutional subscription to Gramophone please click here for further information.