Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Critic‚ reviewer‚ commentator‚ whatever: we’re all superfluous here. Programme‚ performance‚ recording‚ all are beyond praise. And certainly no word of...
Reviewed in issue 13/2002
There was a flurry of excitement when a proper Office of St Columba, discovered in a fourteenth-century fragment of an...
Reviewed by mberry in issue: 3/1993
Bartok a la francaise, elegant and bright in tone, yes—but a far cry from the 'real thing' as rekindled by...
Reviewed in issue 1/1995
One quite unthinkingly assumes the English lute song to be the preserve of English singers, so closely associated is it...
Reviewed in issue 10/1991
Discovered only about 45 years ago, the concertos Op 10 (12 in all, written in 1735 36) probably sat in...
Reviewed by Nalen Anthoni in issue: 8/2010
This imaginative staging by Lehnhoff derives from the 1998 Baden-Baden Festival, given by the young singers of the European Union...
Reviewed in issue 5/2001
It is sad that Nicolai Malko, from 1926 the Chief Conductor of the Leningrad Philharmonic and the first interpreter of...
Reviewed by Edward Greenfield in issue: 3/1996
Here we have two very different No. 3s primarily linked, as the note astutely observes, by the fact that both...
Reviewed by Joan Chissell in issue: 12/1984
Although his concertos for two pianos are familiar (especially the one originally written in three-handed form for Cyril Smith and...
Reviewed by Ivan March in issue: 2/1995
I have to confess I hadn’t previously encountered the Trio Dali. My loss: this new set of Schubert’s piano trios...
Reviewed by Harriet Smith in issue: 10/2011
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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