Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
We’ve reached the penultimate volume in Sir Peter Maxwell Davies’s cycle of 10 Naxos Quartets. Conceived as a tribute to...
Reviewed by Andrew Achenbach in issue: 7/2007
On this CD the splendid sounds of the BPO can be enjoyed to the full. Helpfully, however, Muti does nod...
Reviewed in issue 9/1985
The Gardiner issue sets itself rather apart, a live recording of the last two symphonies in lively, individual performances typical...
Reviewed by Edward Greenfield in issue: 2/1989
Any new recordings from Seefried are welcome, and these performances, deriving from two recitals in 1962, are full of rewarding...
Reviewed by Alan Blyth in issue: 4/2000
This, the start of a new series of discs (for which Eduardo Mata is Artistic Director) of Latin American music,...
Reviewed by Lionel Salter in issue: 11/1993
Dieterich Buxtehude’s remarkable cycle of seven vocal concertos (short, condensed cantatas) sets a medieval Latin poem in both a mystical...
Reviewed by Jonathan Freeman-Attwood in issue: 6/2007
This last instalment of this group’s Op. 6 Concertos is as pleasurable as its predecessors (Chandos, 9/97 and 8/98), with...
Reviewed by Lionel Salter in issue: 11/1998
Gil Shaham, still in his teens, made this his first concerto recording in the summer and autumn of 1988, when...
Reviewed in issue 3/1990
The main reason for issuing this DVD of a new production at Parma in 1987 must be Alfredo Kraus’s ageless...
Reviewed by Alan Blyth in issue: 11/2002
''A brilliant, fresh voice shot with laughter, not large but admirably projected, with enchanting high pianissimi.'' Walter Legge's description of...
Reviewed in issue 5/1993
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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