Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
The Tender Land was commissioned for television but rejected by the NBC network. Its stage premiere received no better than...
Reviewed by Michael Oliver in issue: 5/2000
This is a real bargain. Howard Shelley plays with distinction throughout, and so do the City of London Sinfonia. The...
Reviewed by Christopher Headington in issue: 1/1987
This is a slightly strange pair of discs. The recording is made on a piano claimed in the booklet as...
Reviewed by Stanley Sadie in issue: 10/1993
I was surprised to find a well-filled CD devoted to Schumann’s “Complete Works for Violin and Orchestra”. The two known...
Reviewed by DuncanDruce in issue: 13/2010
Gideon is not a neglected Handel oratorio, but a posthumous pasticcio cobbled together in 1769 by Handel’s assistant and only...
Reviewed by David Vickers in issue: 9/2004
This series has won consistently enthusiastic reviews in these pages, and the present volume may well be the best yet....
Reviewed in issue 8/1996
What a compelling coupling this is, and how good to hear Tchaikovsky’s still-underrated cycle given a reading which conveys its...
Reviewed by Harriet Smith in issue: 4/2009
Deutsche Grammophon continues to display an erratic recent track record when it comes to recording and promotig young, photogenic pianists....
Reviewed by Jeremy Nicholas in issue: 5/2004
There has always been a strong Nielsen tradition in Sweden: there are at present three (or nearly three) Nielsen cycles,...
Reviewed by Robert Layton in issue: 5/1994
Bruckner's original 1874 version of the Fourth Symphony differs markedly from the widely known revision of 1878–90. It has, in...
Reviewed by Richard Osborne in issue: 12/1990
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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