Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
I was quite struck by Ellen Taaffe Zwilich's First Symphony (New World, 6/87), and immediately recognized the characteristic intensity of...
Reviewed by Michael Oliver in issue: 12/1995
Welcoming a complete recording of Benjamin Frankel’s music to the film Battle of the Bulge (CPO‚ 12/00)‚ Robert Seeley recommended...
Reviewed in issue 5/2002
Demidenko is arguably more at home with Prokofiev than with the romantic repertoire and here he completes his cycle of...
Reviewed in issue 11/1998
Recorded in situ, the York Minster Chapter House Choir sing in a way that fully supports their description in the...
Reviewed in issue 4/1998
A number of contemporary composers have taken to writing for early instruments. George Benjamin’s Upon Silence enlisted Fretwork’s viols a...
Reviewed in issue 11/2001
Dukas’s E flat minor Sonata (1900) is a rare (the only?) French example of the form from this period. Lasting...
Reviewed by Jeremy Nicholas in issue: 7/2006
On these two discs less is more. Which means, unfortunately, that more is less. Letting young composers loose on a...
Reviewed by rnichols in issue: 5/2003
At first sight this looks like a splendidly economical way to acquire two fine (and not unrelated) works which have...
Reviewed by David Gutman in issue: 1/2003
Having enjoyed much of Chung's work to date (and in particular his excellent Nielsen/Gothenburg SO series for BIS), I must...
Reviewed by Andrew Achenbach in issue: 8/1993
What treasures are being unearthed from Moscow's Radio Archives, an Aladdin's Cave of great piano recordings in particular! This reissue...
Reviewed by Bryce Morrison in issue: 2/1994
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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