Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
A symphony from 1880 lasting almost an hour by a student who died young—a work Mahler admired but regarded as...
Reviewed by Arnold Whittall in issue: 12/1989
“Vaughan Williams: The Symphonies”, proclaims Belart’s sturdy slipcase. Not all the symphonies, mind you. Newcomers should be warned that Sir...
Reviewed by Andrew Achenbach in issue: 6/1997
Iona Brown's first record of Mozart violin concertos with the ASMF (devoted to K216 in G and K218 in D)...
Reviewed by rgolding in issue: 7/1983
The third instalment of Christopher Hogwood's Haydn cycle comprises nine works from 1761-3, the composer's first years at the Esterhazy...
Reviewed by Richard Wigmore in issue: 6/1993
What did Bach mean by the phrase ‘avec plusieurs instruments’ in the title of this collected edition dedicated to Christian...
Reviewed in issue 11/2001
Olivier Greif’s is an unfamiliar name to me, and I had to search out the website run by his brother...
Reviewed by bwitherden in issue: 7/2006
The three quartets for flute, viola, keyboard and, in all probability, cello date from 1788, the last year of C....
Reviewed by Nicholas Anderson in issue: 9/1992
One immediate practical advantage of Dorati's version of Zarathustra on CD is that nine separate sections are banded, where the...
Reviewed by Edward Greenfield in issue: 3/1984
The Gothenburg Symphony Orchestra and Neeme Jarvi have now reached the Fourth Symphony in their impressive survey of the complete...
Reviewed by Robert Layton in issue: 11/1985
Peter Hurford offers us a delightful opportunity to discover the versatility of an organ (1976) by K. B. Blank in...
Reviewed in issue 10/1987
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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