Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Remarkably, Dardanus has only received a single staged performance in the UK and so this live recording reminds us that...
Reviewed by Jonathan Freeman-Attwood in issue: 7/2007
Mozart was alone among his contemporaries in his ability to grasp the lessons of Handel and Bach: even Haydn’s encounter...
Reviewed by David Threasher in issue: 13/2010
The three works here are sharply contrasted, each demanding different approaches, naturally enough, and different sets of skills. Of the...
Reviewed by Fabrice Fitch in issue: 12/2005
What a disconcerting composer Gavin Bryars is. One moment he is producing music of hypnotic individuality, the next he seems...
Reviewed in issue 9/1991
Rameau was known to the Parisians mainly as a theorist, and he was 50 when he burst on the operatic...
Reviewed by Richard Lawrence in issue: 4/2006
It is a blooming, plump-cheeked, black-andwhite Fischer-Dieskau that we see in the book of words which accompanies this set: this...
Reviewed by hfinch in issue: 11/1989
One of the most attractive features of Peter Katin’s latest Schubert disc is its comfortable intimacy, conjuring images of the...
Reviewed in issue 6/1996
This premiere recording of chamber music by Kenneth Leighton is played by the Wallfischs, father and son, who have commissioned...
Reviewed by hfinch in issue: 5/1993
This is a landmark for Chadwick, since all three works are virtually unknown and these are first recordings. The Suite...
Reviewed by Peter Dickinson in issue: 6/1997
The monochrome quality of this instrument as it hums its way innocuously through the Fantaisie in C, coupled with the...
Reviewed by Marc Rochester in issue: 12/2002
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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