Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
These quartets in B flat and F are Mozart's last, and the Talich Quartet bring to them a gravity of...
Reviewed by Christopher Headington in issue: 11/1993
A Prix de Rome winner, if hardly a household name, Ibert (1890-1962) has not been badly served by the gramophone,...
Reviewed by Christopher Headington in issue: 12/1995
Otto Klemperer, Sir Adrian Boult, Carlo Maria Giulini and Walter Legge made up the panel which awarded the young James...
Reviewed by Richard Osborne in issue: 6/2008
The latest Naxos helping of Bax gets under way with the first commercial recording of the 1909 Festival Overture in...
Reviewed by Andrew Achenbach in issue: 11/2007
By the end of this helter-skelter, aggressively overpointed performance of Mozart’s drama giocosa, I felt as breathless and exhausted as...
Reviewed by Alan Blyth in issue: 8/2000
Whether it is a case of dramatic mood-swings or more simply a retreat into melancholy with advancing years, I wouldn't...
Reviewed by Richard Osborne in issue: 9/1994
In 1616 a Saxon courtier and councillor in Jena, Burkhard Grossmann, sustained an accident from which he made what he...
Reviewed by Nicholas Anderson in issue: 9/1996
Volume 5 of La Risonanza’s complete edition of Handel’s Italian cantate con strumenti contains the extended cantata Cor fedele, in...
Reviewed by David Vickers in issue: 6/2009
Cage’s Sonatas and Interludes are often referred to as a masterpiece and, by now, it ought to be easy to...
Reviewed by Peter Dickinson in issue: 2/1997
The first thing to be said about this set is that it sounds a good deal more comfortable than the...
Reviewed by Rob Cowan in issue: 2/2001
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
If you are a library, university or other organisation that would be interested in an institutional subscription to Gramophone please click here for further information.