Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
‘Horowitz Rediscovered’, the title of RCA’s two-disc album, prompts a sea of reflections. Aged 72 at the time of his...
Reviewed by Bryce Morrison in issue: 8/2003
The opening moments of the Rienzi Overture (the first item on the disc) are certainly gripping: hushed string responses to...
Reviewed by John Steane in issue: 12/1996
Despite an accompaniment from just four percussionists, the Suite en concert (1965) counts as Andre Jolivet’s Second Flute Concerto (the...
Reviewed in issue 8/1996
It is Lutoslawski’s last completed work, the Fourth Symphony (1993), which most fully embodies his highly personal reinterpretation of Polish...
Reviewed by Arnold Whittall in issue: 6/1996
English record collectors who have grown accustomed to Mendelssohn's Hear my prayer sung by a solo treble voice (young Ernest...
Reviewed by Marc Rochester in issue: 9/1992
These six works, published in 1746 as Geminiani's Op. 7 comprise the last of his three sets of original concertos....
Reviewed by Nicholas Anderson in issue: 5/1983
The 22-year-old Schubert's happy zest when composing this ever-fresh delight was exultantly caught in the Brendel/Cleveland recording on Philips. Anyone...
Reviewed by Lionel Salter in issue: 4/1984
As is so often the case with these things, you spend half your life with no recorded version of a...
Reviewed by John Steane in issue: 11/2004
Brightly focused, freely idiomatic Mozart from Pasquier, with playing of grace and nuance in the B major Concerto and buoyant...
Reviewed by mquinn in issue: 2/1999
Following a Rite of Spring (also on Sony Classical, 11/90) conceived, at least in part, as a vehicle for orchestral...
Reviewed in issue 2/1994
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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