Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Few composers can rival Ravel in the brilliance and subtlety of his instrumentation‚ which makes it surprising that he wrote...
Reviewed in issue 8/2002
When reviewing the LP version of this coupling, which I found slightly, though understandably, cautious in its orchestral perspective, I...
Reviewed by Michael Oliver in issue: 4/1986
For most of the last century the need for an organisation to promote Leopold Stokowski would have seemed laughable, when...
Reviewed by Peter Quantrill in issue: 4/2010
The great quality that Emma Johnson brings to all her recordings, in contrast to so many artists of whatever eminence,...
Reviewed by Edward Greenfield in issue: 9/1991
Spain's school of musical theatre offers not only a fund of rhythm and melody to match anything in French and...
Reviewed by Andrew Lamb in issue: 2/1995
In a market that boasts a rival as dashing as the Erato disc listed above‚ any performance of the Tchaikovsky...
Reviewed in issue 11/2001
This disc serves a useful three-fold purpose. Firstly, it offers permanent audio compensation for those of us who missed what...
Reviewed by Rob Cowan in issue: 10/2000
An immaculate disc. The Dutch organist, Ben van Oosten, gives totally natural, organic and perfectly-judged performances of Widor’s last two...
Reviewed by Malcolm Riley in issue: 11/1998
The longest single work here, the Old Norwegian Melody, is a late and elusive score. Beecham, always adept in variation...
Reviewed by Mike Ashman in issue: 1/2007
Tucked in among some attractive Czech Romantic and post-Romantic piano trios is the original four-movement version of Janácek’s Pohádka for...
Reviewed by Rob Cowan in issue: 7/2011
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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