Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This generous coupling of Brahms’s two concertos for stringed instruments has become relatively common in the age of CD thanks...
Reviewed in issue 8/2002
Anyone who has been smitten by the silvery nostalgia of works by Silvestrov such as his Fifth Symphony or the...
Reviewed by Ivan Moody in issue: 2/2010
Tasso’s major poetical work, Gerusalemme Liberata, has inspired many musicians over the centuries but few capture the immediacy of the...
Reviewed by Jonathan Freeman-Attwood in issue: 9/1999
Groh (1905-82) and Kullman (1903-83) were almost exact contemporaries, and were of that school of German tenors who sound...
Reviewed by John Steane in issue: 4/2007
Hugh Wolff's reputation precedes him. On this evidence, I can't say I am surprised. His Appalachian Spring, pristine in its...
Reviewed by Edward Seckerson in issue: 7/1991
This disc of popular church works by Mozart (well, most of them by him) has little claim to serious attention....
Reviewed by Stanley Sadie in issue: 5/1993
This is one of the most sumptuously presented sets ever. Contained in a red cloth slip-case, the 11 CDs, each...
Reviewed by Patrick O'Connor in issue: 11/1996
This is a most impressive performance, to my ears making a more eloquent case for the Concerto than even John...
Reviewed by Michael Oliver in issue: 7/1989
Johann Rufinatscha was born in the southern Tyrol in 1812 and died in the same year as Brahms, 1893, having...
Reviewed by Peter Quantrill in issue: 7/2011
The quintet medium has never quite established itself as the solid-state default for composers wishing to write for brass but...
Reviewed by Jonathan Freeman-Attwood in issue: 2/2006
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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