Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
When the previous recording of the Bliss Violin Concerto, now available on CD from Beulah, also has the same soloist...
Reviewed by Edward Greenfield in issue: 2/1997
Beethoven's unfinished Quintet for the improbable combination of oboe, three horns and bassoon is not quite a stranger to the...
Reviewed by John Warrack in issue: 3/1993
For his second Decca album Nelson Freire turns from Chopin to Schumann, a surprising choice for a pianist more celebrated...
Reviewed by Bryce Morrison in issue: 1/2004
Two totally contrasting approaches to Schumann: brisk, bold (and occasionally businesslike) readings from Masur that stress the Beethoven lineage; more...
Reviewed by John Steane in issue: 12/1991
Georg Christian Schemelli published his Musicalisches Gesangbuch in Leipzig in 1736. It was a collection of 954 hymns and arias,...
Reviewed by Nicholas Anderson in issue: 4/1993
This remains the best version of Elijah ever recorded in English, and among the most desirable ever made as a...
Reviewed by Alan Blyth in issue: 9/1996
Trinity has produced another impressive recital: the complete series of Brahms's motets. Singing of such quality and sensitivity brings life...
Reviewed by mberry in issue: 2/1990
The poor documentation is astonishing from a specialist label promoting a Welsh composer and Welsh artists. Biographical material is not...
Reviewed by Ivan March in issue: 2/2006
Scholars are now sure that Bach did not plan his four orchestral suites as a set – unlike the six...
Reviewed by Andrew Farach-Colton in issue: 6/2004
There are plenty of selections from Rimsky-Korsakov’s more popular operas to be heard on record but the only music here...
Reviewed by John Warrack in issue: 8/2010
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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