Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
In addition to those versions listed above, I made the mistake of returning to Ormandy's CBS account with the Philadelphia...
Reviewed by Edward Seckerson in issue: 6/1989
As this ensemble’s name implies, viols are the start here, and part of the disc’s attraction lies in the novelty...
Reviewed by Fabrice Fitch in issue: 11/2004
Naxos continue their enterprising incursions into Bach's sacred vocal music with a complete performance of the Christmas Oratorio. The fact...
Reviewed by Nicholas Anderson in issue: 4/1993
I recall Luxon giving this cycle with great success in London's Queen Elizabeth Hall a couple of seasons back. What...
Reviewed by Alan Blyth in issue: 8/1989
We take orchestral virtuosity for granted now, but in the late 1920s it was pretty uncommon, and Stokowski's recordings with...
Reviewed in issue 3/1994
It was a cunning idea of EMI's to link Marriner's latest Academy recordings of the Bach Brandenburgs and Suites. This...
Reviewed in issue 3/1987
This is not totally unenjoyable or entirely without distinction: it’s just not right. Levine, for instance, is a great one...
Reviewed by John Steane in issue: 13/2009
One cannot but marvel at the cool fearlessness of the ageing composer who took upon himself to publish his three...
Reviewed by mberry in issue: 12/1996
This is not a reissue of Fricsay’s memorable 1954 DG recording of Rossini’s Stabat mater but a live performance given...
Reviewed by Richard Osborne in issue: 10/2009
We hear little of Waldteufel’s music these days. Time was when his waltzes were often to be heard at popular...
Reviewed by Andrew Lamb in issue: 2/2009
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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