Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Very many guitarists have paid tribute to Segovia’s evangelistic work on behalf of the guitar in the twentieth century –...
Reviewed by John Duarte in issue: 4/1997
June Anderson is a distinguished Rossinian who has helped pioneer, on stage and on record, the revival of several of...
Reviewed by Richard Osborne in issue: 5/1993
‘Bruce Ford: Serious Rossini’ is the title of this compilation disc from Opera Rara‚ and very agreeable it is‚ too....
Reviewed in issue 1/2002
This new recording of Gurrelieder, made after a 2006 tour and released to celebrate Michael Gielen’s 80th birthday, is the...
Reviewed by Guy Rickards in issue: 13/2007
Unknown piano music by Grieg? Well, arguably there is not enough of this composer for us to turn aside from...
Reviewed by Christopher Headington in issue: 12/1990
The best first: picture and soundtracks are excellent. Otherwise… This is what’s usually called a ‘semi-staged’ production, without sets, although...
Reviewed by mscott rohan in issue: 9/2003
Reality comes to us in fragments. We open a door, a telephone starts ringing, a helicopter flies overhead, then a...
Reviewed by rthomas in issue: 2/2000
How pleasant it is to be able to welcome a new recording of a Brahms symphony with almost total enthusiasm....
Reviewed in issue 2/1990
The colourful ‘simphonies’ contained in Rameau’s stage works seduce performers and audience alike. The Flemish chamber orchestra of modern instruments,...
Reviewed by Nicholas Anderson in issue: 11/1998
The Royal Ballet's La fille mal gardee remains a source of perpetual delight, not least for the music that John...
Reviewed by Andrew Lamb in issue: 1/1994
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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