Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Having just emerged from the leisurely splendours of the ‘late’ Celibidache’s Beethoven, Brahms and Schumann on the Third Volume of...
Reviewed in issue 9/1999
It has taken some time for Chandos to proceed from “The Early Byrd” (8/95) to the second volume of this...
Reviewed by Lionel Salter in issue: 12/1997
Yes, the line-up of young soloists is breathtaking. And the music is not wholly without interest. A paragon of the...
Reviewed in issue 5/2001
I have no hesitation at all in placing Handley's account of the Third Symphony at the top of my list...
Reviewed by Michael Stewart in issue: 11/1992
The garrulous Giuliani produced a large song-bag of music for voice and guitar, some composed, some simply arranged by him;...
Reviewed by John Duarte in issue: 10/1989
The idea behind this disc is a good one; two major chamber works, both written during the Second World War,...
Reviewed by Arnold Whittall in issue: 9/1997
I Solisti Veneti and I Musici must be about equal insofar as the number of their recordings of Vivaldi's concertos...
Reviewed by Nicholas Anderson in issue: 10/1993
David Starobin’s latest guitar recital, ‘Newdance’, has all the warmth and clarity of a family enterprise. Eighteen composer-friends (including John...
Reviewed in issue 1/1999
Claudio Arrau (1903-91) was described variously as ‘Prince’, ‘Emperor’, and ‘King’, of the keyboard, such was the awe in which...
Reviewed by Bryce Morrison in issue: 13/2003
Readers who care to look up reviews of the comparative versions listed will find a general tone of muted enthusiasm...
Reviewed in issue 2/1986
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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