Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
The classic recording of Dvorák’s Requiem, Ancerl’s with international soloists and the Czech PO, is now all of half a...
Reviewed by John Warrack in issue: 1/2010
Richard Strauss's recordings of other composers' works were confined to a period between 1926 and 1928. The earliest of these,...
Reviewed in issue 3/1992
An indispensable disc. Both recordings come from the 1950s and have a special authority, for it was Rostropovich's playing that...
Reviewed by Robert Layton in issue: 11/1988
With this three-disc album of Beethoven’s piano concertos Paul Lewis complements his earlier set of the 32 sonatas and also...
Reviewed by Bryce Morrison in issue: 9/2010
The strange tale of David Helfgott, the 50-year-old Australian pianist, has been filmed and chronicled to heady public and critical...
Reviewed by Bryce Morrison in issue: 3/1997
By an unfortunate piece of timing, this disc comes out when Phantasm’s recordings of the Fantazias (the composer’s spelling) have...
Reviewed by Lionel Salter in issue: 12/1997
Frank Martin served as ‘artistic director’ to the 1968 Erato recording of Golgotha so, despite obviously older recording quality and...
Reviewed by Marc Rochester in issue: 12/2005
It seems to me that Previn's interpretation of this superb example of the English romantic symphony has broadened and, in...
Reviewed in issue 8/1987
This is an impressive and enjoyable CD that easily bears repeated listening – certainly I’ve played it many times already,...
Reviewed in issue 5/2001
I waxed lyrical about the Italienisches Liederbuch when reviewing the versions listed above a year ago. Suffice it to say...
Reviewed by Alan Blyth in issue: 12/1991
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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