Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This Ondine recording is a fraction dry and close, and it sounds at its best at a touch below normal...
Reviewed in issue 5/1990
For all his professional life‚ Richard Bonynge has been a huge enthusiast for outoftheway and/or neglected music of the 19th...
Reviewed in issue 4/2002
It became known during the winter of 1941–2 that Shostakovich was writing a symphony in tribute to those who were...
Reviewed in issue 4/1992
Hyping up the bawdy as 'art' to draw attention to the naughtiness of our forebears is a clever selling ploy:...
Reviewed by Jonathan Freeman-Attwood in issue: 5/1993
The sixth disc in Hyperion's admirable if uneven series, ''The Romantic Piano Concerto'' (the choice of works is enterprising, the...
Reviewed by Bryce Morrison in issue: 5/1994
‘Around and about Joanna MacGregor’ would have been an equally suitable title for this disc. Questions inevitably arise as to...
Reviewed by kYlzrO1BaC7A in issue: 3/1999
A special attraction for Haydn lovers here is the first-ever recording of the unfinished ode Mare Clausum, commissioned in 1794...
Reviewed by Richard Wigmore in issue: 7/1996
Van Cliburn’s triumph at the first International Tchaikovsky Competition in 1958 and his unprecedented ticker-tape welcome home was a story...
Reviewed by Jeremy Nicholas in issue: 6/2011
Here are two cello sonatas written by composers who were among the leading pianists of their day; small wonder then...
Reviewed by James Methuen-Campbell in issue: 3/1994
Kapell was killed in a plane crash just south of San Francisco in October 1953 – the flight that was...
Reviewed by Jeremy Nicholas in issue: 12/2008
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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