Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
In making comparisons here one soon discovers that the Brainin/Schidlof coupling on Chandos enjoys the inestimable advantage of superlati ve...
Reviewed by Ivan March in issue: 12/1985
The volume range would seem excessive in an English home (and unusual on an LP) but it would be effective...
Reviewed in issue 10/1984
In an ideal world, operatic recordings would always evolve in this way. Catfish Row came to Abbey Road Studio No....
Reviewed by Edward Seckerson in issue: 6/1989
This is repertory in which Decca artists have excelled over the years, but unlike the partnerships and ensembles listed above,...
Reviewed by Edward Greenfield in issue: 2/1996
One of the very few Beecham recordings that I have always found disappointing‚ lacking his characteristic fizz‚ is his 1955...
Reviewed in issue 5/2002
It was high time that somebody asked Robert Craft to record The Rake's Progress. No one alive today is closer...
Reviewed by Michael Oliver in issue: 3/1995
These performances date from 1963, yet such is Sir Clifford Curzon’s alchemy that they seem timeless, as vital and poetic...
Reviewed by Bryce Morrison in issue: 11/1997
Karajan's classic 1961 version of Tosca could not be more welcome as one of the first issues in Decca's Grand...
Reviewed by Edward Greenfield in issue: 1/1989
Mozart's Quintet, like his Clarinet Concerto, survives only in an arrangement his publisher made after his death. As has been...
Reviewed in issue 8/1985
This may well be Kissin’s finest record to date; an audacious claim when you consider his previous offerings. At the...
Reviewed in issue 6/1999
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
If you are a library, university or other organisation that would be interested in an institutional subscription to Gramophone please click here for further information.