Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
BIS has come up with the most comprehensive collection of Ligeti’s music for piano yet recorded. As well as a...
Reviewed by Arnold Whittall in issue: 11/2006
This is the first volume in veteran lutenist Nigel North’s traversal for Naxos of the complete works for solo lute...
Reviewed by William Yeoman in issue: 9/2006
Respighi set great store by the Concerto gregoriano and was distressed by its failure with critics and public. It is...
Reviewed by Michael Oliver in issue: 4/1994
This is the third pairing of Smetana's two string quartets to have appeared recently, and the Medici now find themselves...
Reviewed by John Warrack in issue: 12/1988
This brilliant lecture filmed at Cornell University has a faint aura of material for a distance-learning course, but Malcolm Bilson...
Reviewed by David Vickers in issue: 10/2006
This fascinating CD introduces us to the orchestral music of Lodewijk Mortelmans (1868-1952), one of few relatively important Flemish composers...
Reviewed by Ivan March in issue: 11/2009
Volume 40 of Leslie Howard’s progress through the whole of Liszt’s piano music crosses some agreeable foothills, without scaling any...
Reviewed by John Warrack in issue: 11/1996
Thomas Hampson’s elegant baritone is one of the glories of the day, and he brings seemingly effortless power and grace...
Reviewed in issue 10/1999
Clavichord music played on the piano? Howells published these pieces as ''for clavichord or piano'', as it happens, but I...
Reviewed by Michael Oliver in issue: 8/1994
Excellent to have a new recording of these Ives classics from a major ensemble. The First Quartet (1896) is a...
Reviewed by Peter Dickinson in issue: 4/1993
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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