Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
I began listening to this collection somewhat irritably, but this soon gave way to admiration and a fascinated search through...
Reviewed by Michael Oliver in issue: 12/1994
This is the kind of repertoire in which Jane Parker-Smith excels; big, gutsy, colourful, occasionally passionate, occasionally frothy, bristling with...
Reviewed by Marc Rochester in issue: 12/2007
Guerrero’s discography receives a significant boost with these discs, and the promise of more to come. The Spanish ensemble Musica...
Reviewed by Fabrice Fitch in issue: 10/2006
Maurice Jarre composed his first film score in 1952 (Hôtel des Invalides). But while it was in France that he...
Reviewed by Ivan March in issue: 11/2007
Prokofiev's second childhood: Jose Serebrier (ASV, 7/91) recently took a similar trip down this particular memory lane, but the images...
Reviewed by Edward Seckerson in issue: 12/1991
The ‘red earth’ in question is that of the Australian desert landscape, seen from the air; but it is also...
Reviewed by Arnold Whittall in issue: 5/1997
Impressive Heifetz-cloning by a notable Heifetz pupil. In fact, play Friedman's recordings of the Saint-Saens, Sarasate, Ravel and Chausson items...
Reviewed in issue 8/1993
Some background first. The brain behind Nonclassical is composer Gabriel Prokofiev and his label is “dedicated to releasing music that...
Reviewed by Philip_Clark in issue: 2/2009
It is the old, modern story: a good musical performance and bad stage production. The trouble is that this is...
Reviewed by John Steane in issue: 2/2011
Among collections that are otherwise wellstocked there are probably several in which Max Reger is represented by a single disc...
Reviewed in issue 4/2002
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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