Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
With Jaroslav Krombholc's 1967 Dalibor the only version currently available in the domestic catalogue, a new one was overdue. The...
Reviewed by John Warrack in issue: 12/1995
This recording from Warsaw has taken some time to reach us, having been made in April 1991. Furthermore, it enters...
Reviewed by Christopher Headington in issue: 3/1994
Discs of Toru Takemitsu's orchestral music have been numerous these past two decades but this Naxos release has the advantage...
Reviewed by kYlzrO1BaC7A in issue: 3/2007
So many bargain sets from the Naxos and Discover labels have recently been recommended that it is tempting to give...
Reviewed by Alan Blyth in issue: 2/1995
We can readily imagine with what modest pride the 40-year-old Bach presented his second wife Anna Magdalena with this most...
Reviewed by Nicholas Anderson in issue: 9/1992
Dorati's recording of La Transfiguration de Notre Seigneur Jesus-Christ was the first disc to be issued on Decca's pioneering Headline...
Reviewed by Michael Stewart in issue: 9/1990
I found little to choose between the sound of the LP, the balance and quality of which RF thought splendid,...
Reviewed by Nicholas Anderson in issue: 9/1984
The programme here, including as it does the G minor Passacaille, the big G major Chaconne, and the variations on...
Reviewed by Lionel Salter in issue: 11/1996
This performance in Vienna in 1997 marked the centenary of Brahms’s death. Abbado, daringly taking his Berlin orchestra to the...
Reviewed by Alan Blyth in issue: 9/2000
Edgar, Puccini’s second opera, composed in 1888 and first given the following year at La Scala, has never really caught...
Reviewed by Patrick O'Connor in issue: 6/2006
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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