Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
All Icelandic music is new music. Composer and pianist Arni Bjornsson, who died in 1995, learned his trade at a...
Reviewed by hfinch in issue: 6/1997
Glen Wilson's recording of Bach's 48 received a fair modicum of approval from NA in these columns (4/90); but between...
Reviewed by Lionel Salter in issue: 5/1993
Not Beethoven's first ventures into the realm of the piano sonata, but the first three he thought worthy of publication....
Reviewed by Joan Chissell in issue: 5/1993
It will be the privilege of a very few of us, I hear, to be able to see, or even...
Reviewed by Nicholas Anderson in issue: 12/1986
Naturally enough, Juan Diego Flórez made his début as a recitalist on record in Rossini (4/02), and it was a...
Reviewed by John Steane in issue: 9/2003
I remember hearing John Goldsmith's public presentation of this famous set (when it was first issued on LP) at the...
Reviewed by Ivan March in issue: 12/1987
Roger Quilter's circumscribed but genuine and beautifully wrought art has given Britain a songwriter who invites comparison with Duparc. Perhaps...
Reviewed in issue 3/1990
Les deux pigeons is a score of such tunefulness and refinement that it is surprising it has taken Bonynge so...
Reviewed by Andrew Lamb in issue: 10/1993
Very clever. The Grosse Fuge is acclaimed in the notes accompanying this collection as ''the founding work of modern music''...
Reviewed by Michael Oliver in issue: 11/1990
I am quite sure that when, in his booklet-note, Jeremy Siepmann calls Bach’s keyboard suites “essentially players’ music”, what he...
Reviewed by Lionel Salter in issue: 4/1996
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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