Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
With choirs of many nationalities now including Rachmaninov’s All-Night Vigil (or Vespers) in their repertories, and half a dozen ‘foreign’...
Reviewed by John Warrack in issue: 4/1999
I slightly wonder about the order in which the four works are placed here, with darker-toned music of the 1920s...
Reviewed by Christopher Headington in issue: 5/1990
First on Telarc, then on DG, the ubiquitous 28-year-old Lang Lang now makes his debut on Sony in a two-disc...
Reviewed by Bryce Morrison in issue: 10/2010
It’s good to see that Bo Holten’s choral music has merited an entire disc to itself, and since he has...
Reviewed by Ivan Moody in issue: 5/2004
This is an impressive successor to Myers’s two previous discs – ‘British Piano Music of the 1980s’ on Libra and...
Reviewed in issue 10/1999
This is not “a” Scarlatti Vespers. These five psalms, hymn and Magnificat have been drawn from more than one source...
Reviewed by Lindsay Kemp in issue: 1/2011
Best not to ask why, but the instrumental music of the early baroque puts me in mind of those little...
Reviewed by Fabrice Fitch in issue: 13/1999
Suzie LeBlanc’s amiable account of Vivaldi’s Laudate pueri (RV601, composed for Dresden in about 1730) joins the top-class recordings of...
Reviewed by David Vickers in issue: 1/2007
This production dates from 1960 and those naive times when people believed that Tosca was set in Scarpia’s Rome (not...
Reviewed by John Steane in issue: 3/2005
I wonder to what extent the increasing prominence of all-female (or nearly all-female) vocal ensembles on the early music scene...
Reviewed by Fabrice Fitch in issue: 9/1996
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
If you are a library, university or other organisation that would be interested in an institutional subscription to Gramophone please click here for further information.