Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
The Chopin sonatas have been recorded so many times that it is difficult for me to think of which performance...
Reviewed by James Methuen-Campbell in issue: 2/1987
In youth it was natural to think of Rheinberger as a dull old stick and then not to think of...
Reviewed in issue 6/1997
Although I can find little to fault technically with John Lill's performance of Prokofiev's First Sonata, I'm not entirely convinced...
Reviewed by Michael Stewart in issue: 9/1991
Following BIS’s first disc of Skalkottas’s orchestral music (6/98), this second instalment takes us further into his potent and original...
Reviewed by kYlzrO1BaC7A in issue: 7/1999
If Schutz's Christmas Story is your quarry, then this performance by the Taverner Consort, Choir and Players must be considered...
Reviewed in issue 8/1988
Ignaz Brull (1846-1907) is remembered today for two things: first his hugely successful opera Das goldene Kreuz, and secondly, for...
Reviewed by Tim Parry in issue: 4/1999
Being remembered on the one hand for music you did not write, while at the same time the only piece...
Reviewed by Lindsay Kemp in issue: 2/1999
The follow-up to Olympia’s first volume of Tishchenko quartets (see 7/96) once again shows the rewards and limitations of following...
Reviewed in issue 9/1996
It is good to find this delectable work, long neglected, being effectively brought into the regular canon, with two more...
Reviewed by Edward Greenfield in issue: 7/1990
I Penitenti al Sepolchro del Redentore was first performed on Good Friday 1736. Stefano Pallavicini’s libretto presents the Old Testament...
Reviewed by David Vickers in issue: 6/2010
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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