Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Toivo Kuula's music, despite several outings on disc, has never achieved the international acclaim that much of it deserves. The...
Reviewed by Guy Rickards in issue: 12/2006
Again the Alban Berg Quartet is the first in the field and their set of the Rasumovsky together with Opp....
Reviewed by Robert Layton in issue: 9/1985
Haydn's last two complete string quartets always seem to me to stand slightly apart from the others by dint of...
Reviewed by Stanley Sadie in issue: 2/1989
Schumann with his romantic wings clipped was my first reaction, or, to put it another way: Schumann as a man...
Reviewed by John Steane in issue: 10/1990
Can a voice be ‘too beautiful’? That was the charge laid against Souzay by Roland Barthes in his book Mythologies...
Reviewed by Patrick O'Connor in issue: 4/2004
1863 and 1892 are the dates of these trios, of which No. 1 was written by a composer not yet...
Reviewed by Christopher Headington in issue: 12/1995
The spectrum of women’s string quartet writing is covered here. While the Mendelssohn-Hensel and Smyth are enjoyable pieces of their...
Reviewed by kYlzrO1BaC7A in issue: 4/1998
The printed interview accompanying this disc finds both musicians defensive about the lightweight nature of much of their programme. Why?...
Reviewed by William Yeoman in issue: 9/2005
Here’s some compositional reverse engineering. Christopher Fox describes his Catalogue irraisoné (1999-2001) as a “parallel version of the same ideas...
Reviewed by Philip_Clark in issue: 4/2010
It is now some 12 years since William Christie made an excellent disc of Pancrace Royer's only published collection of...
Reviewed by Nicholas Anderson in issue: 9/1993
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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