Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This has been something of an annus mirabilis for Monteverdians: two new recordings of his last great opera, L'incoronazione de...
Reviewed by Iain Fenlon in issue: 12/1990
Last year saw the launch of the David Munrow Edition on Virgin Veritas (9/96). The series continues with this, arguably...
Reviewed by Fabrice Fitch in issue: 11/1997
I’ve long regarded Frank Bridge’s comprehensive 1912 revision of his D minor Piano Quintet from seven years before as the...
Reviewed by Andrew Achenbach in issue: 7/2009
In 1989 the LSO and Shell UK combined to give Alun Hoddinott a magnificent sixtieth birthday present, commissioning a work...
Reviewed by Arnold Whittall in issue: 1/1991
Dutton’s enterprising exploration of the works of Richard Arnell here moves from the symphonies and Piano Concerto (9/06, 6/07, 11/07)...
Reviewed by Andrew Lamb in issue: 11/2008
It is encouraging to find the LSO Live series of super-budget discs developing like this with such an ambitious issue....
Reviewed by Edward Greenfield in issue: 7/2000
Rather a pity that I had only recently listened to the Arcanto String Quartet, one of the finest new Bartók...
Reviewed by Rob Cowan in issue: 10/2007
Russian-born Katia Skanavi has enough technique to set the final pages of her curtain-raiser (the Op 12 Variations) ablaze and...
Reviewed by Bryce Morrison in issue: 2/2000
Ripe tone is obviously wanting in, say, the great waves that progress through the balcony and parting scenes; and the...
Reviewed by John Steane in issue: 7/1993
We have a David and Goliath situation here: the superstar well and truly thrashed by the underdog – albeit one...
Reviewed by Edward Seckerson in issue: 8/2008
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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