Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
The soundrecording of these performances was very acceptable but of course nowadays you never know what abominations the staging will...
Reviewed in issue 13/2002
Deux-Elles’ sleeve aptly quotes Debussy as saying that it is the composer’s privilege to set the poetry of night and...
Reviewed by Bryce Morrison in issue: 9/2005
I continue to be baffled by Astree's tardiness in releasing their recordings of Jordi Savall. This one is already six...
Reviewed in issue 11/1988
A Ravel and Gershwin coupling is now as ubiquitous as a Grieg and Schumann. The Stravinsky, though, is a comparative...
Reviewed by Jeremy Nicholas in issue: 1/2011
Four of the five works here are even earlier than their numbering suggests. Nos. 17-20 were probably written between 1757...
Reviewed by Richard Wigmore in issue: 12/1993
Lazaridis‚ Greekborn but largely Londontrained and still in his early twenties‚ is clearly a talented musician of refined sensibilities. This...
Reviewed in issue 7/2002
Recorded in January and February of this year‚ this wideranging collection of pieces on the theme of Passiontide is...
Reviewed in issue 6/2002
To say that you get few surprises with a Leonhardt disc is not intended as a criticism. For 40 years...
Reviewed by Lindsay Kemp in issue: 7/1994
The 1950s were exceptionally eventful years for Henze‚ and these three works‚ composed between 1953 and 1958‚ strongly suggest that...
Reviewed in issue 9/2002
As applause and an occasional cough confirm, these are live concert performances, recorded in 1988 when Bolet was already 74....
Reviewed by Joan Chissell in issue: 4/1994
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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